Recent exhibitions by Bea Schlingelhoff and Michaela Melián demonstrate that the city’s institutions are sensitively reckoning with their fascist pasts
Amidst a global pandemic during his first year as Haus der Kunst's artistic director, Lissoni speaks about how the museum communicates with the world at large and what it means to be in dialogue with the past and present
With a new show, ‘Paradise Edict’ at the Haus der Kunst, Munich, Jane Ure-Smith chats to the artist about his influences and the power parallels between modern politics and historic Christian art