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Lynette Yiadom-Boakye

For her fourth exhibition at Jack Shainman Gallery, New York, the artist paints portraits from her imagination

By Thora Siemsen

‘Take the heat and the breadth and the air and the life and the longing and land it in your own back garden’

By Lynette Yiadom-Boakye

The Baltimore’s director on why correcting the art historical canon is not only right but urgent for museums to remain relevant

By Christopher Bedford
Adam Linder, Some Cleaning, 2013, performance documentation. Courtesy: the artist and Silberkuppe, Berlin

Frieze New York 2017 opens to the public today. Plan your day around the city and the fair

Pamela Joyner with Kevin Beasley's Untitled (Panel 4) (2016) on the stand of Casey Kaplan at Frieze London 2016. Artwork courtesy: the artist and Casey Kaplan, New York. Photo courtesy: Linda Nylind / Frieze

'I am always thinking about where I personally can make the difference' 

Lynette Yiadom-Boakye and David Adjaye join the Serpentine Galleries board; former students of Tisch School of the Arts Asia file lawsuit

Leeds, UK

By Martin Herbert
Rose Wylie, Ray's Yellow Plane Film Notes, 2013, oil on canvas, 210 x 165 cm. Courtesy: the artist and UNION,

At a time of revolution in digital technologies, when making extraordinary images has never been technically easier, painting persists.

By Jennifer Higgie

17 artists write about works of art that have influenced them

Interstellar, 2012, oil on canvas

The fictitious portraits of Lynette Yiadom-Boakye

By Jennifer Higgie