Marlene Dumas


7 Mar
28 Apr
Olafur Eliasson, ‘Room for One Colour’, 1997, installation view at Moderna Museet, Stockholm, 2015. Courtesy: the artist, Tanya Bonakdar Gallery, New York, neugerrimschneider, Berlin; photo: Anders Sune Berg


30 Oct
28 Feb


24 Nov
20 Dec

A report from 'Inside', an Artangel project staged in the Reading prison that once held Oscar Wilde

By Matthew McLean
Tiqui Atencio signs copies of her book in the VIP Room at Frieze London 2016, following her 'Conversation on Collecting' with Louisa Buck

'I think everyone has an ego: it depends how you use it'

Snow White and the Broken Arm, 1988, oil on canvas, 1.4 × 3 m. All images courtesy (unless otherwise stated) the artist, Frith Street,  London, Gallery Koyanagi, Tokyo, David Zwirner, New York, Zeno X, Antwerp,  and Galerie Paul Andriesse, Amsterdam

On the occasion of a major touring retrospective, Caoimhín Mac Giolla Léith examines the relationship between image and painting in the work of Marlene Dumas

By Caoimhín Mac Giolla Léith

Biography and timeliness in the work of Moshekwa Langa

By Sean O'Toole

17 artists write about works of art that have influenced them

Museum of Modern Art, New York, USA

By Ara H. Merjian

Art Institute of Chicago, USA

By Judith Russi Kirshner