Monograph

Visibility, identity and black people on Mars – Kerry James Marshall in conversation with Ellen Mara De Wachter

On the occasion of a major touring retrospective that marks four decades of the artist’s work, Michael Famighetti considers the changing American landscape in the photographs of Robert Adams

How Paul Elliman responds to the spaces, objects, words and sounds that surround him

The paintings, drawings and animations of Tala Madani

Roe Ethridge’s work circulates in the worlds of fashion, commercial and art photography. Christy Lange considers his ‘chaotic inventory’.

Kateřina Šedá’s projects question the pros and cons of an artistic practice that purports to be for the good of its participants

Mark Godfrey travelled to four cities to gain a deeper understanding of Theaster Gates's intermingling of art with urban regeneration

Spirits, objecthood and the ‘Black Forest voodoo’ of Geoffrey Farmer’s mirages and micro-events

Family, literary influence, travel and environment in the work of Moyra Davey

Dominik Lang’s work is influenced by his intimate relationship to his family home and the legacy of Czech conceptualism

The fictitious portraits of Lynette Yiadom-Boakye

Lucy McKenzie’s work as part of the collaborative fashion studio, Atelier, embodies the artist’s enquiries into a romanticized past shot through with mythical meaning

Since 1995, Li Yongbin has been creating videos of faces in the Beijing apartment he has lived in for over 30 years

The filmmaker Romuald Karmakar is redefining his oeuvre – and cinema itself – on YouTube

First broadcast in 1983, Robert Ashley’s TV opera Perfect Lives is a talkative exploration of sociability and storytelling

The story of Los Angeles-based artist Kaari Upson’s long-term ‘Larry Project’

Marie Darrieussecq responds to the filmic meditations of João Maria Gusmão and Pedro Paiva

The legacy of the late Italian photographer Luigi Ghirri

The collaborations and performances of Dora García, who is currently representing Spain in the Venice Biennale, engage with radicalism, inadequacy and the excluded

Ryan Trecartin’s immersive video environments are amplified reflections of the joy, madness and ambiguity of our culture