Photography

Each approach is valid and necessary, but none alone is sufficient – especially in places undergoing rapid transition

Koç University Research Center for Anatolian Civilizations, Istanbul, Turkey

Various venues, Arles, France

25 years of Jem Cohen’s free-wheeling cinema

Various venues, Madrid, Spain

David Campany interviews LaToya Ruby Frazier, the International Center of Photography’s Infinity Award winner

Tate Modern, London, UK

Relating bodily sensations to virtual spaces in the photographs of Lucas Blalock

Viviane Sassen talks to Aaron Schuman

Séamus Kealy, the director of the Salzburger Kunstverein, examined to what extent the concept of the punctum is still viable

In Shahryar Nashat’s films and sculptures, dodecahedrons, dance and desire come together in delirious studies of impossible ideals

(Or Should You?)

The photographic archives of the Los Angeles Police Department

From latex printing to art restoration: Markus Hoffmann of renowned Dusseldorf photo lab Grieger takes us through the company’s processes

Film director Nicolas Roeg talks to his friend, the artist John Stezaker, about collage, editing and memory, and film’s ability to ‘trap shadows’

Collagist John Stezaker and writer-curator David Campany discuss the legacy of Surrealist encounters with photography

From his Conceptual art of the 1960s to his recent computer-generated works, Victor Burgin has consistently explored the virtual nature of images and words. He talked with writer and curator David Campany

The Japanese artist discusses photography and the viewer as an intermediary

On the occasion of a major touring retrospective that marks four decades of the artist’s work, Michael Famighetti considers the changing American landscape in the photographs of Robert Adams

Roe Ethridge’s work circulates in the worlds of fashion, commercial and art photography. Christy Lange considers his ‘chaotic inventory’.