Features

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In the early 20th century, Hilma af Klint created abstract paintings under the direction of a spirit guide. What impact does the Swedish artist’s work have on the art-historical canon?

BY Briony Fer |

How the display of art in previous centuries can help us rethink the exhibition industry

BY Alexander Nagel |

A selective history of things on tables

BY Jennifer Higgie |

The difficulties of defining and exhibiting Indian Modernism

BY Shanay Jhaveri |

1913, a year of cultural, artistic and technological revolution that transformed the world

BY George Pendle |

The restoration of Donald Judd’s SoHo loft

BY Robert Storr |

Posthumanism, sci-fi novels and technology

BY Domenick Ammirati |

For more than 50 years, the Argentinian artist Julio Le Parc has been exploring spectatorship, movement and participation. Following a major survey show at the Palais de Tokyo, Robert Barry considers the artist’s life and work

BY Robert Barry |

The recent activities of the Cairo-based film collective

The intermingling of conceptual and material worlds

BY Vivian Sky Rehberg |

The second response in our series to mark the 50th anniversary of the DAAD Artist-in-Berlin Programme this year. Boris Mikhailov remembers an unexpected encounter in a park during his time on the residency.

BY Boris Mikhailov |

To mark the 50th anniversary of the DAAD Artist-in-Berlin Programme this year, we have invited a number of artists who have been guests of the DAAD to choose an image from their time in Berlin and explain it's significance to them. Canadian artist Judy Radul starts us off.

BY Judy Radul |

On the occasion of her forthcoming retrospective at New York’s Museum of Modern Art, Dominic Eichler unravels Isa Genzken’s work and persona

BY Dominic Eichler |

While teaching at the Bauhaus, Wassily Kandinsky deepened his theory of art as a visual rhetoric conveying specific emotions – ideas that would later influence the design of prison cells in Spain

BY Boris Groys |

The show of showing

BY Kolja Reichert |

In her collages, photographs, artist books and paintings, Özlem Altin explores the body at rest and the inanimate in action

BY Sara Stern |

Filling in the Blanks

BY Christy Lange |

The spaces between rumour, information and circulation

BY Jonathan P. Watts |

A portrait of the West Bank that fuses fact and fiction

BY Katya García-Antón |