Features

Kris Martin’s explorations of faith and time employ myriad materials – from departure boards and novels to classical sculptures and watches

Phalluses, saddles and South Africa; handmade costumes and the Xhosa language

Touch and appropriation; film, dance and gesture

Abandoned factories and sad machinery; fantasy, reality and ambiguity

Something from nothing: decorated offices, reclaimed land, hope and anticipation

Rosalind Nashashibi's films and photographs observe the nuances of everyday life around the world

Israeli artist Yael Bartana asks: ‘What is this place where I grew up?’

A new 16-disc DVD box set of Alexander Kluge’s films highlights the 30-year career of this influential German filmmaker, philosopher, author and media mogul

Ukrainian artist Boris Mikhailov has been documenting the inhabitants of his homeland for over 30 years. American artist Collier Schorr responds to his confrontational photographs by designing this layout and annotating his images

How we create architectural spaces that in turn define our social behaviour is a constant theme in the films of Clemens von Wedemeyer

The Troubles, Samuel Beckett, Joan of Arc, knitted club flyers and reconstructing the past

Stars, thunder and birdsong; transformation and translation

Pragmatic metaphysics, painstaking copies and infinite pedestals

Chopin, melancholy, pianos and slapstick

With Emily Jacir’s solo show now on view at the Whitechapel Gallery, London (until 3 January 2016), re-read Kirsty Bell’s monograph on the artist from issue 114, April 2008

The social experiments Artur Zmijewski documents in his provocative videos reveal disquieting aspects of human nature

Photographs, repetition, time and misalignment

Zoe Leonard’s photographs and sculptures meditate on wonder and loss

From waiting for a telephone to ring to making eye contact with strangers, for over 30 years the ‘actions’ of Czech artist Jirí Kovanda have explored the limits – and joys – of what freedom might mean

For almost 40 years, Michael Asher has encouraged museums and art galleries to question the logic of their organizational and architectural structures