Features

Showing results 1261-1280 of 1567

'What writing has most influenced the way you think about art?' Writers, artists and curators reveal the often surprising literary influences – from Theodor W. Adorno to Lester Bangs, Gertrude Stein and P.G. Wodehouse – that have shaped their thinking.

What criteria do we use to judge art? During the opening of the 4th Berlin Biennial in March, Thomas Demand, Mark Godfrey, Jörg Heiser, Jennifer Higgie, Adrian Searle, Polly Staple and Tirdad Zolghadr gathered on a Saturday afternoon in frieze’s Berlin office to informally discuss, over cheese and strawberries, this very question

Filming memory and memories of films; men, women, love and psychoanalysis

BY Christy Lange |

People, posters and propaganda; history, copies and drawing

BY Dominic Eichler |

Books, art history and self-portraits; heaven, hell and purgatory

BY Jonathan Griffin |

Love, desire and impersonation; opera, film and masculinity

BY Ronald Jones |

In 1976 the British art journal Studio International conducted a survey of contemporary art magazines to see what could be revealed about their inner workings and motivations. How do art magazines perceive themselves today? Are the questions that were posed 30 years ago still relevant in 2006? To find out, frieze asked 31 publications to respond to the Studio International questionnaire. Introduction byRichard Cork, the editor behind the original survey

In 1976 the British art journal Studio International conducted a survey of contemporary art magazines to see what could be revealed about their inner workings and motivations. How do art magazines perceive themselves today? Are the questions that were posed 30 years ago still relevant in 2006? To find out, frieze asked 31 publications to respond to the Studio International questionnaire

In 1976 the British art journal Studio International conducted a survey of contemporary art magazines to see what could be revealed about their inner workings and motivations. How do art magazines perceive themselves today? Are the questions that were posed 30 years ago still relevant in 2006? To find out, frieze asked 31 publications to respond to the Studio International questionnaire

Melding utopianism with utilitarianism, Marjetica Potrc’s projects and exhibitions prompt questions about the responsibilities of artists to the greater social realm

An import-export business, posters, shelters for the homeless and the smell of buns

A fantasy-league team of architects, columns, cupolas and a coffee bar

Optical illusion, tree trunks, Brutalist architecture and Bangkok

Albanian homes, anonymous structures, shipwrecks and billiards

BY Edi Muka |

Sean Snyder’s videos and photographs explore the often bizarre world of urban planning, architecture and the news media

In staging large-scale participatory events, artists are creating new narratives for our cultural landscape

BY Nancy Spector |

Owls, Inuits and cultural collision; museums, marketing and clichés

Ghosts, spells and invisible architecture; ducks, David Lynch and the smell of Mars

An oak tree, allegory, spirituality and the Grotesque

Femininity, decay; beauty, violence, representation