Frieze

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Exploring the work of Nancy Holt and David Ireland from this year's Spotlight section

BY Jonathan Griffin |

Georgieva’s film commission for Frieze Film 2015 centres around the culture of Bulgarian chalga (pop-folk) nightclubs

An interview with Italian filmmakers Yervant Gianikian and Angela Ricci Lucchi 

Innovative presentations by the world's most exciting young talents

Explore solo artist projects by today's most exciting emerging galleries

A section dedicated to rare solo presentations of 20th-century artists

Toby Kamps is the new curator of Spotlight, starting at Frieze Masters 2016

The fair brings together more than 200 of the world's leading galleries

This year’s non-profit program explores the magical possibilities of artistic intervention

Patrick Staff, Diego Velázquez and Mad Max: Matthew McLean shares his highlights from 2015

BY Matthew McLean |

Natalie Dray, Kendrick Lamar and James Magee: Tom Morton shares his highlights from 2015

BY Tom Morton |

Swiss curator Raphael Gygax has been selected as the new Curator of Frieze Projects

J.C. Chandor, Aleksey Fedorchenko and Hirokazu Koreeda: Bert Rebhandl shares his highlights from 2015

BY Bert Rebhandl |

Charles and Ray Eames, Rem Koolhaas and Christien Meindertsma: Alice Rawsthorn shares her highlights from 2015

BY Alice Rawsthorn |

Artist, writer, filmmaker and actor Miranda July talks about her recent performance work, 'New Society'

Three new publications intimately concerned with difficult bodies

BY Olivia Laing |

How I became a refugee-smuggling gratitude junkie

BY Stefanie Sargnagel |

At the Steirischer Herbst festival in Graz this autumn, during Austrian election season, a large banner hung over the façade of KM– Künstlerhaus Halle für Kunst und Medien. The banner showed a photograph of Austrian artist, curator and musician Jörg Schlick, sat at a café table in a meadow wearing a beige dress, sunglasses, a hat and brown leather sandals, and holding two crutches in his left hand. In the background, one sees a pond and hair-curler shaped sculptures on a hill. If one knew of the artist’s 2005 cancer diagnosis, the dress could be identified as a hospital gown. There is a fragile glamour in the staging of ambiguity in this photograph, taken a year before Schlick’s death in December 2005.

BY Verena Dengler |

The fair will take place a week earlier in 2016, with the Preview Day on Wednesday 5 October

A curated programme focusing on the relationships between contemporary and historical art