Reviews

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Boskovich wanted to inhabit a place that made no distinctions between sculpture and furniture, curation and decor, art and everyday life

BY ​Juliana Halpert |

To mark the centenary of the Bauhaus’s opening in Weimar, Performa 19 considers: ‘What is the art school of the 21st century?’

BY Erica N. Cardwell |

The sculptor’s solo exhibition at Oakville Galleries blurs the boundaries between chance and artistic selection

BY Charles Reeve |

The artist’s latest commission pulls back the curtain on state power

BY Chris Sharratt |

The painter’s work, on view at Tina Kim Gallery in New York, focuses our sight while urging us beyond it

BY David Geers |

Fin de siècle squalor and sardonic masques in ‘Grand Hotel Abyss’, the 2019 edition of the annual Austrian festival

BY Adam Kleinman |

Patrick D. Flores’s southeast Asia-focused exhibition is hopeful, in spite of its sometimes academic tenor

BY Max Crosbie-Jones |

In an exhibition at Focal Point Gallery, the artist looks to the local marshes of Canvey Island with a weird degree of hope  

BY Tom Morton |

The most remarkable thing about ‘The Mysterious Correspondent’ is the way it deals directly with gay and lesbian characters

BY Aaron Peck |

An exhibition at SFMOMA, named for the 1990 geopolitical term, considers the relationship between art and activism since the fall of the Iron Curtain 

BY Adam Kleinman |

The artist’s work captures what it feels like to see your own body on the floor, in pieces, and how that might be the only way to survive having survived

BY Audrey Wollen |

Pain and Glory, the director’s best film in 15 years, is a moving meditation on mortality, heartbreak and cinema 

BY Evan Moffitt |

The artist’s survey at LACMA showcases her dynamic engagement with the history of modernism and socio-political conflict 

BY Ara H. Merjian |

Anders Dickson’s ‘Songs of Rain and Hobo Chili’ conjures the ephemerality of place

BY Krzysztof Kościuczuk |

Working with traditional ‘technologies’, artists show how the past might hold answers for the future

BY Adam Kleinman |

The provocative and politically prescient exhibition grapples with hard truths and traumatic histories 

BY KJ Abudu |

Two shows, at Cologne’s Temporary Gallery and Moscow’s Garage MCA, look to art in the age of environmental collapse

BY Phoebe Braithwaite |

The artist’s feast is plentiful and sumptuous, but leaves us with a hefty bill and a heavy stomach

BY Fernanda Brenner |

The artist’s solo exhibition at the Pulitzer Arts Foundation is a serene and spiritual survey of her five-decade practice 

BY Murtaza Vali |
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