Reviews

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A beautifully spare presentation at Lomex, New York, uses a tangle of haberdashery-esque materials to invoke transcedent scenes

BY Rahel Aima |

The Cherokee/Choctaw artist explores the contemporary possibilities of Indigenous art at Denver Art Museum

BY Christopher Green |

Dating from 1949 to the early 1960s, the works which grace the stately home feel comfortable in the ostentatious pomp of its baroque interiors

BY Anya Harrison |

At Berlin’s Zilberman Gallery, reflections on the power asserted by technological progress: can anyone make it stop?

BY Hili Perlson |

Michel Auder’s show at Martos, reminds us why, despite the optimists, art was never going to find its raison d'être under the current regime

BY Andrew Durbin |

In ‘Clothes Line’, at London’s White Rainbow, the artist explores improvisation, social groups and the minute fluctuations of the day to day 

BY Cal Revely-Calder |

On show at WIELS, Brussels, the artist's textiles are modes of conscious reparation, through which damage and disrepair become precious artefacts

BY Ellen Mara De Wachter |

‘Art is not CNN,’ says Banu Cennetoğlu – new works produced with London’s Chisenhale Gallery ask: are you paying enough attention?

BY En Liang Khong |

Works from the Pinault collection in the newly-renovated Couvent des Jacobins, Rennes, revisit the crises of the 20th century 

BY Figgy Guyver |

The artist shows a muscular blend of figuration and abstraction at Galerie Lelong & Co., New York, and Philadelphia Fabric Workshop and Museum

BY Glenn Adamson |

The artist brings subtle grandeur to Dortmunder Kunstverein with a series of luxuriant installations, alluding to pleasure, pain and transcendence

BY Moritz Scheper |

Held across three Baltic cities for the first time, why did this edition make no attempt to say something to – or about – its host region?

BY Orit Gat |

The Australian artist’s first institutional show at Artspace Sydney includes a library, a meeting place and workshops on ‘mindful eating’

BY Helen Hughes |

Works by Ryan Gander and Rehana Zaman showed it was the people of Liverpool who formed a thread through some of the most successful projects

BY Tom Emery |

At Lehmann Maupin, New York, the artist's immersive installation and paintings from the 1970s commemorate forgotten indigenous histories

BY Evan Moffitt |

At Piper Keys, London, the artist and musician shows intimate depictions of domestic labour

BY Izabella Scott |

At Focal Point Gallery, video-maker Ed Webb-Ingall and The British Free Cinema remind us how quickly our civil liberties can be taken away 

BY Rosanna McLaughlin |

The artist-cum-fashion designer takes cues from the DIY downtown New York aesthetic for her upcycling show at Overduin & Co., LA

BY Simone Krug |

At Kunstverein Düsseldorf (and on WeChat), the artist creates personalised horoscopes for a kaleidoscopic array of characters

BY Scott Roben |

Exploring the legacy of the radical 1960s London gallery in a group show curated by kurimanzutto, Mexico City, at Thomas Dane, London

BY Philomena Epps |
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