Reviews

A long-overdue exhibition at London’s National Gallery shines a light on a great baroque artist

At Kraupa-Tuskany Zeidler, Berlin, the artist’s amorphous figures question traditional gender narratives

A joint presentation at Arcadia Missa, London, centres female desire, from Iannone’s erotic (Ta)Rot Pack to Blightman’s sensual Instagram stories

At etHALL, L’Hospitalet de Llobregat, the artist pays homage to the thresholds between life and death

The last work by the artist leaves us in the company of painting’s favourite shape

At London's Cell Project Space, the artists' timely new commissions explore the potency of intimate gestures and simple actions 

An exhibition at Anna Schwartz Gallery of the late artist, curator and educator suggests that constructivist idioms still pulse with life  

At MMK Frankfurt, a retrospective housed in a group exhibition mirrors the artist's rejection of conventional classifications

At Portikus, Frankfurt, the artist pays attention to quiet but powerful acts of resistance

At the Fondazione Giuliani in Rome, the artist looks at the playful and political aspects of disguises

At CLEARING, Brussels, the artist duo’s new handcrafted pieces reveal the sensuous in the clunky

At Mariane Ibrahim, Chicago, the artist presents nine, large-scale portraits of Black figures that recall Gustav Klimt’s symbolist paintings

At Bonner Kunstverein, the artist investigates our relationship to everyday objects

The duo’s installations at Galerie Templon, Paris, couldn’t be timelier

Amongst the family portraits and Sèvres porcelain, the artist’s newly commissioned paintings reflect on a broken Britain

At Lenbachhaus, Munich, the artist’s installations show why matter matters

At Museum Frieder Bruda’s Salon Berlin, the artist reflects on book burning during the Nazi regime

Shot in Cambridge, the artist’s latest film interlaces histories of laziness, from Johnny Mercer to Audre Lorde

The strongest components of the unusually dispersed exhibition "take art from the altar and into the vernacular"

MACRO’s ‘Museum for Preventive Imagination: Editorial’ is an experiment with new exhibition formats