in Frieze New York | 11 MAY 23

Paintings from $10k to $1m at Frieze New York 2023

From Tosh Basco's performance-based works to Naudline Pierre's utopian scenes and Tracey Emin's representations of love, desire and loss – explore artists pushing the boundaries of paint on Frieze Viewing Room

in Frieze New York | 11 MAY 23

Visit Frieze Viewing Room 

MIN HA PARK

Nostos, Spring Rain, 2023 

Acrylic, vinyl paint, oil, wax and MIRAVAL® on canvas 

70.87" x 55.12" (180 cm x 140 cm) 

$10-20k 

Presented by Whistle

Min Ha Park, Nostos, Spring Rain, 2023, Acrylic, vinyl paint, oil, wax and MIRAVAL® on canvas, 70.87" x 55.12" (180 cm x 140 cm), courtesy the Artist and Whistle
Min Ha Park, Nostos, Spring Rain, 2023, Acrylic, vinyl paint, oil, wax and MIRAVAL® on canvas, 70.87" x 55.12" (180 cm x 140 cm), courtesy the Artist and Whistle

By composing a unique language in her paintings, Min ha Park materializes the intangible, creating a landscape of memory, sensation, atmosphere, illumination, and microscopic change. (Whistle, Seoul, Focus).

SAM LIPP

Pornocracy 2, 2022 

Oil on steel 

65.75" x 24.02" (167 cm x 61 cm) 

$ 18,000 

Presented by Derosia 

Sam Lipp, Pornocracy 2, 2022, Oil on steel, 66 x 24 x .75 in (167.6 x 61 x 1.9 cm), SL109, courtesy the Artist and Derosia
Sam Lipp, Pornocracy 2, 2022, Oil on steel, 66 x 24 x .75 in (167.6 x 61 x 1.9 cm), SL109, courtesy the Artist and Derosia

Sam Lipp’s work explores the intersection of images and power, particularly representations of the body in relationship to systems of control (Derosia, New York, Focus). 

TOSH BASCO

sanguine, 2023 

Oil and pigment on canvas 

61" x 63" x 1.5" (154.94 cm x 160.02 cm x 3.81 cm) 

$ 20,000

Presented by Company Gallery

Tosh Basco, sanguine, 2023, Oil and pigment on canvas, 61" x 63" x 1.5" (154.94 cm x 160.02 cm x 3.81 cm), courtesy the Artist and Company Gallery
Tosh Basco, sanguine, 2023, Oil and pigment on canvas, 61" x 63" x 1.5" (154.94 cm x 160.02 cm x 3.81 cm), Courtesy the Artist and Company Gallery (Photographed by Sebastian Bach).

Company Gallery presents Tosh Basco’s improvisational performance work, paintings and drawings. Under the name boychild, the artist arose from the underground drag scene in San Francisco and since then, collaboration has remained a vital aspect to her work. Her drawings, which are made by pressing her body tinted with makeup and paint onto paper, are the physical and emotional imprints of these movements (Company Gallery, New York, Focus). 

HANNAH QUINLAN & ROSIE HASTINGS 

After the Protest, 2023 

Fresco on wood 

78.74" x 94.49" (200 cm x 240 cm) 

Edition Unique 

$ 45,000 

Presented by Arcadia Missa and Emalin

Hannah Quinlan & Rosie Hastings, After the Protest, 2023, Fresco on wood, 78.74" x 94.49" (200 cm x 240 cm), Edition Unique, courtesy the Artist and Arcadia Missa
Hannah Quinlan & Rosie Hastings, After the Protest, 2023, Fresco on wood, 78.74" x 94.49" (200 cm x 240 cm), Edition Unique, courtesy the Artist and Arcadia Missa

Comprised of new frescos by Hannah Quinlan & Rosie Hastings, their shared presentation brings together artists whose practices investigate systems of authority: social, aesthetic and ideological. (Arcadia Missa, London, Emalin, London, Main) 

FARAH OSSOULI

Good and Evil, 2015 

Gouache on Cardboard 

22.05" x 29.92" (56 cm x 76 cm) 

$50-100k 

Presented by Dastan Gallery

Farah Ossouli, Good and Evil, 2015, Gouache on Cardboard, 55 x 76 cm, Courtesy of the Artist and Dastan Gallery
Farah Ossouli, Good and Evil, 2015, Gouache on Cardboard, 55 x 76 cm, Courtesy of the Artist and Dastan Gallery

One of the most respected and well-renowned Iranian painters of her generation, Farah Ossouli takes the traditional form of Persian miniature paintings into new, contemporary territory. (Dastan Gallery, Tehran, Main).

GHADA AMER

Homage à Tut in Black and White, 2021

Painted bronze 

23.31" x 17.32" x 1.1" (59.2 cm x 44 cm x 2.8 cm) 

$50-100k 

Presented by Tina Kim Gallery

Ghada Amer, Homage à Tut in Black and White, 2021, Painted bronze, 23.31" x 17.32" x 1.1" (59.2 cm x 44 cm x 2.8 cm), Courtesy the Artist and Tina Kim Gallery]
Ghada Amer, Homage à Tut in Black and White, 2021, Painted bronze, 23.31" x 17.32" x 1.1" (59.2 cm x 44 cm x 2.8 cm), Courtesy the Artist and Tina Kim Gallery

Ghada Amer is a renowned New York-based artist, whose work confronts cultural objectification of the female form, repositioning it for a feminist dialectic (Tina Kim Gallery, New York, Main).

NAUDLINE PIERRE

The Only Way Out Is In, 2023

Oil and oil stick on canvas 

95.98" x 120" (243.8 cm x 304.8 cm) 

$ 135,000 

Presented by James Cohan

Naudline Pierre, The Only Way Out Is In, 2023, Oil and oil stick on canvas, 96 x 120 in, 243.8 x 304.8 cm, © Naudline Pierre 2023. Courtesy the artist and James Cohan, New York. Photo by Dan Bradica
Naudline Pierre, The Only Way Out Is In, 2023, Oil and oil stick on canvas, 96 x 120 in, 243.8 x 304.8 cm, © Naudline Pierre 2023. Courtesy the artist and James Cohan, New York. Photo by Dan Bradica

James Cohan presents a solo booth of new paintings by Naudline Pierre. The Brooklyn-based artist draws on references that are deeply rooted in the history of European art, looking back to historical iconography to conjure alternate, utopian realms. Her work situates personal mythology and intimacy alongside canonical narratives of devotion (James Cohan, New York, Main). 

EMMA PREMPEH

Kamwokya, 2023

Oil, Acrylic and schlag metal on Canvas 

35.43" x 78.74" (90 cm x 200 cm) 

Price on Application 

Presented by Tiwani Contemporary

Emma Prempeh, Kamwokya, 2023, Oil, Acrylic and schlag metal on Canvas, 35.43" x 78.74" (90 cm x 200 cm), courtesy the Artist and Tiwani Contemporary
Emma Prempeh, Kamwokya, 2023, Oil, Acrylic and schlag metal on Canvas, 35.43" x 78.74" (90 cm x 200 cm), courtesy the Artist and Tiwani Contemporary

Tiwani Contemporary presents new paintings by Emma Prempeh, a London-based, British artist with Ghanaian and Vincentian heritage. Prempeh’s recent body of works explore interior spaces pictorially colliding with aspects of her personal history (Tiwani Contemporary, London, Focus). 

CARLOS VILLA

Tubby in Love, 1980-1983

Acrylic on canvas- diptych 

80.75" x 143.5" (205.1 cm x 364.49 cm) 

Price on Application 

Presented by Silverlens

Carlos Villa, Tubby in Love, 1980 – 1983, Acrylic on canvas, Diptych, 80 3/4h x 71 3/4w inches each, Courtesy the Estate of Carlos Villa, Anglim/Trimble (San Francisco), and Silverlens (Manila and New York)
Carlos Villa, Tubby in Love, 1980 – 1983, Acrylic on canvas, Diptych, 80 3/4h x 71 3/4w inches each, Courtesy the Estate of Carlos Villa, Anglim/Trimble (San Francisco), and Silverlens (Manila and New York)

Silverlens will debut its new representation of the Estate of Carlos Villa. His ground-breaking practice of culling materials from indigenous cultures across the globe combines feathers, bone and physical body prints to create strangely-human works that challenge colonial perspectives and lay radical claim to a cross-cultural, diasporic identity. Villa’s aim was to make Filipino art history visible and build a foundation for generations of artists to come (Silverlens, Manila, Main).

SUZAN FRECON

earths and plum, 2023 

Oil on linen 

107.99" x 87.52" x 1.5" (274.3 cm x 222.3 cm x 3.8 cm) 

Price on Application 

Presented by David Zwirner

Suzan Frecon, earths and plum, 2022 © Suzan Frecon Courtesy the artist and David Zwirner
Suzan Frecon, earths and plum, 2022, © Suzan Frecon, Courtesy the artist and David Zwirner.

David Zwirner presents a solo presentation of new and recent works by American artist Suzan Frecon. Made over long stretches of time, Frecon's work invites the viewer’s sustained attention: these, she says, ‘are not pictures that you look at. They are paintings that you experience' (David Zwirner, New York, Main).

MARY LOVELACE O'NEAL

Race Woman Series #7, circa 1990s 

mixed media on canvas 

84.02" x 60" (213.4 cm x 152.4 cm) 

$500k-1m 

Presented by Jenkins Johnson Gallery

Mary Lovelace O'Neal, Race Woman Series #7, circa 1990s, mixed media on canvas, 84.02" x 60" (213.4 cm x 152.4 cm), Courtesy Jenkins Johnson Gallery; Copyright Mary Lovelace O’Neal. Photography credit Robert Divers Herrick
Mary Lovelace O'Neal, Race Woman Series #7, circa 1990s, mixed media on canvas, 84.02" x 60" (213.4 cm x 152.4 cm), Courtesy Jenkins Johnson Gallery; Copyright Mary Lovelace O’Neal. Photography credit Robert Divers Herrick

Mary Lovelace O’Neal, a force in art since the mid 1970s, is renowned for fusing the painterly and gestural elements of Abstract Expressionism with the social consciousness of the Black Arts Movement. The artist’s paintings have progressed through many different phases over her long career, beginning with loose abstracted forms, evolving to including more precise patterns, stenciling, and geometric shapes (Jenkins Johnson Gallery, San Francisco, Main).

TRACEY EMIN

I needed you to love me, 2023

Acrylic on canvas 

79.92" x 110.24" (203 cm x 280 cm) 

$1m or above 

Presented by White Cube 

Tracey Emin, I needed you to love me, 2023, acrylic canvas, 205.7 x 279.7 cm | 207.1 x 180.9 x 5.7cm (framed), © Tracey Emin. All rights reserved, DACS 2022. Photo © Ollie Harrop
Tracey Emin, ‘I needed you to love Me', 2023 © Tracey Emin. All rights reserved, DACS 2023. Photo © Ollie Harrop

Tracey Emin’s expressive and visceral art is one of disclosure, dealing with personal experience and heightened states of emotion. Frank and intimate but universal in its relevance, her work draws on the fundamental themes of love, desire, loss and grief, unravelling in the process the nuanced constructs of ‘woman’ and ‘self’ through probing self-exploration (White Cube, London, Main).

Frieze Viewing Room is an online platform that offers a preview of gallery presentations at Frieze fairs, as well as the chance for audiences around the world to experience the fair and acquire the art on show from wherever they are.

Frieze New York returns to The Shed in Manhattan from May 17 to 21, 2023 and promises to be an unmissable event. With an unparalleled selection of galleries and artists, alongside a critically acclaimed curated program the fair is a highlight of the global art calendar. 

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Main image: Tracey Emin, I needed you to love me, 2023, acrylic canvas, 205.7 x 279.7 cm | 207.1 x 180.9 x 5.7cm (framed), © Tracey Emin. All rights reserved, DACS 2022. Photo © Ollie Harrop

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