Issue 251
May 2025

Perhaps the beautiful is more so when not an aim but a byproduct. Emily LaBarge

The May issue of frieze magazine is dedicated to artists and writers living and working in New York. Simon Wu profiles Lotus L. Kang’s innovative use of greenhouses on the occasion of the artist’s show at 52 Walker, New York. Plus, Emily LaBarge explores dreams and reality in the art of Kaari Upson, in honour of her first retrospective at the Louisiana Museum of Modern Art.

Profile: Lotus L. Kang

‘I’m doing diaspora rather than showing it. I’m inhabiting a state of being in-between.’ Simon Wu highlights the artist’s expansion of sculptural grammar, exploring material transformation and the body as a site of flux.

1,500 Words: Skin of the Real

‘The making of the work was an experience happening in real time to her body, to her alone.’ Emily LaBarge pens a tribute to Kaari Upson, whose uncanny mattresses highlight the potential of the discarded and dissolute.

Also featuring  

Francesca Wade traces how Gertrude Stein’s non-conformist approach to language led to a lasting influence in contemporary art. Julie Mehretu and Nairy Baghramian speak about their friendship and the protective quality of abstraction. Plus, a dossier by Will Fenstermaker, Marko Gluhaich and Jane Ursula Harris highlights three galleries to watch in New York.

Columns: Afterlife

Yasmina Price outlines how Rosa Barba’s cinematic sculptures archive the remains of time, light and industrial matter; Jesse Dorris writes on Tammy Nguyen’s latest exhibition ‘Paradiso’, detailing the power of translation as the artist reinterprets Dante Alighieri’s Divine Comedy (c.1321); Danez Smith uses Essex Hemphill’s powerful poetry to combat queer erasure in the US, accelerated by Trump’s re-election; Rafał Zajko speaks to Sean Burns about how his sculptural works tackle circularity, labour and performance; Lauren O’Neill-Butler interviews Vivian Suter about incorporating nature into her painting practice.

Finally, Christopher Alessandrini responds to Noah Davis’s painting The Future’s Future (2010). Plus, Vivian Sutercontributes to our series of artists’ ‘to-do’ lists and assistant editor Cassie Packard pens a postcard from New York.

From this issue

A look at the art historical echoes in the artist’s work, on the occasion of a major retrospective at the Barbican Art Gallery, London

BY Christopher Alessandrini |

The artist’s multidimensional practice disrupts conventional ideas of film and how it’s exhibited, redefining the medium's boundaries

BY Yasmina Price |

The artist reimagines the Divine Comedy through an anti-colonial lens in three exhibitions across Lehmann Maupin’s galleries

BY Jesse Dorris |

The late writer’s work embodied love, beauty and rage – qualities the US desperately needs under Trump

BY Danez Smith |

The artist’s camp, playful sculptures and performances – now at Focal Point Gallery – offer a spirited, surreal attempt to preserve the past

BY Rafał Zajko AND Sean Burns |

How the artist integrates nature into her creative process, letting her surroundings shape and co-create her canvases

We revisit the artist's vast and varied practice ahead of a posthumous retrospective at the Louisiana Museum of Modern Art, Copenhagen

BY Emily LaBarge |

At 52 Walker, the artist’s sculptural syntax builds on years of quiet experimentation to reflect on death, ritual and the porous edges of identity

BY Simon Wu |

The pioneering novelist and poet, who championed avant-garde practices, continues to inspire contemporary artists and writers

BY Francesca Wade |

Ahead of Mehretu’s solo show at K12, Düsseldorf, the two discuss space, abstraction and how art becomes a language of survival

BY Julie Mehretu AND Nairy Baghramian |

As the city’s art world feels the strain, Francis Irv, KAJE and Soft Network lead a bold new wave of risk-taking spaces

At K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, the artist’s layered paintings trace the afterlives of trauma and memory 

BY Ben Livne Weitzman |

At Bangkok Kunsthalle, a show of the Sino-Thai artists calligraphic abstractions invites meditations on history and impermanence

BY Kamori Osthananda |

At Kunsthalle Wien, Vienna, an expansive group show amends the historiography of media art by including some of its neglected female pioneers

BY Kathrin Heinrich |

At Museo de Arte Moderno de Buenos Aires, a significant survey by the artist charts her ongoing experiments in gestural and accumulative brushstrokes

BY Ana Vogelfang |

At Leeds Art Gallery, the artist obliquely references his own diasporic family history whilst resisting the exploitation of identity

BY Crystal Bennes |

The artist’s minimalist interventions at Tanya Bonakdar Gallery, Los Angeles, grapple with absence, erasure and exile

BY Vanessa Holyoak |

At Fondazione Merz, Turin, the artist’s experimental works examine acts of making, foregrounding process over product

BY Giovanna Manzotti |

At the Whitney Museum of American Art, New York, the artist explores the unique qualities of ASL through drawing, video and sculpture

BY Geoffrey Mak |

At ROZENSTRAAT, Amsterdam, the artist draws attention to the histories that taint cities across the Netherlands

BY Julia Mullié |

Riffing on a technology trade fair, the artists show at Reena Spaulings Fine Art, New York, suggests that whats onscreen doesnt matter

BY Jeppe Ugelvig |

At Museo d'arte della Svizzera italiana, Lugano, the artist’s cryptic compositions challenge our need for meaning in art

BY Lou Selfridge |

At Gagosian Davies Street, London, the artist’s seriocomic images probe the experiences of Black Americans

BY Salena Barry |

A retrospective at Carnegie Museum of Art, Pittsburgh, traces the artist’s insistent, strange and utterly distinct iconography across three decades

BY Sarah Lehrer-Graiwer |

At Phileas, Vienna, the artist diligently covers found and domestic objects in her handwriting to advocate for female emancipation

BY Ramona Heinlein |

At Hauser & Wirth, Paris, the artist’s unnerving works reflect on the remnants of consumerism

BY Andrew Hodgson |

The meeting of environment and technology is front and centre in the Californian artist’s retrospective at Institute of Contemporary Art, Philadelphia

BY Cassie Packard |

A group exhibition at Rose Easton, London, celebrates one of the human body’s most versatile organs

BY Ellen Mara De Wachter |

A powerful exhibition at Autograph, London, proves the late photographer’s significance

BY Tendai Mutambu |

At Konsthall C, Stockholm, the artist’s sound installation examines the environmental damage of regional river systems, calling for collective mourning and remembrance

BY Matthew Rana |

At Pace Gallery, London, the artist’s compositions of organic material highlight the importance of collaboration

BY Emily Steer |

At 21st Century Museum of Contemporary Art, Kanazawa, a group show about nature and technology asks visitors to listen to the trees

BY Stuart Munro |