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Contributor
Ellen Mara De Wachter

Ellen Mara De Wachter is based in London, UK.

At the Barbican Gallery and the De la Warr Pavilion, two exhibitions focus on the nature of collaboration and the role of creative influence 

BY Ellen Mara De Wachter |

At an event hosted by the ICA in London, the whistleblower and activist talked about the dangers of technology and how the US is now ‘like a prison’

BY Ellen Mara De Wachter |

At Tate Modern, the artist has installed heat-sensitive paint, tear-inducing gas and renamed the Tate extension in honour of a local activist

BY Ellen Mara De Wachter |

Since 1991 the feminist collective has played a key role in nurturing a space for queer activism and sexual and identity politics on film

BY Ellen Mara De Wachter |

Five of the best recent artist projects that show alternatives to unsustainable practices

BY Ellen Mara De Wachter |

On show at WIELS, Brussels, the artist's textiles are modes of conscious reparation, through which damage and disrepair become precious artefacts

BY Ellen Mara De Wachter |

‘You can’t reason with him but you can ridicule him’ – lightweight as it is, Trump Baby is a win for art as a legitimate form of protest

BY Ellen Mara De Wachter |

The collaborative practice, led by Helen Walker and Harun Morrison, uses community networks and humour to tackle serious social issues

BY Ellen Mara De Wachter |

How do you fit 70 exhibitions, 85 partners, 150 artists, and the contents of more than 48 maps and leaflets into 24 hours?

BY Ellen Mara De Wachter |

The agency’s founder talks about warfare in the age of post truth, deconstructing images and holding states and corporations to account

BY Ellen Mara De Wachter |

At Jan Mot, Brussels, nine letters written by the artist track the chilling resurgence of Nazism across the globe in recent years

BY Ellen Mara De Wachter |

Three current photography shows in London demonstrate how structures of power influence visual culture

BY Ellen Mara De Wachter |

The question at the heart of Manchester Art Gallery’s artwork removal: what are the risks when cultural programming takes up an activist mantle?

BY Ellen Mara De Wachter |

La Loge, Brussels, Belgium

BY Ellen Mara De Wachter |

From Hannah Black to Not Surprised, the changes demanded by today’s letter writers are still a long way from being assured

BY Ellen Mara De Wachter |

Rebecca Solnit and the Not Surprised letter

BY Ellen Mara De Wachter |

Ways of talking about race and appropriation: Claudia Rankine, Hannah Black and Tate Modern’s ‘Black Art, Black Power’ conference

BY Ellen Mara De Wachter |

This week's Culture Digest picks up the theme of art and trauma: first up, a new album and film from Nick Cave & The Bad Seeds

BY Ellen Mara De Wachter |