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Contributor
Ellen Mara De Wachter

Ellen Mara De Wachter is based in London, UK.

Formerly the Royal Museum for Central Africa, the museum was originally conceived as a showcase for King Leopold II’s personal property: the Congo Free State

BY Ellen Mara De Wachter |

An exhibition at Maureen Paley, London, explores the artist collective's well-known wallpaper 'Imagevirus' and its relevance today

BY Ellen Mara De Wachter |

At the Barbican Gallery and the De la Warr Pavilion, two exhibitions focus on the nature of collaboration and the role of creative influence 

BY Ellen Mara De Wachter |

At an event hosted by the ICA in London, the whistleblower and activist talked about the dangers of technology and how the US is now ‘like a prison’

BY Ellen Mara De Wachter |

At Tate Modern, the artist has installed heat-sensitive paint, tear-inducing gas and renamed the Tate extension in honour of a local activist

BY Ellen Mara De Wachter |

Since 1991 the feminist collective has played a key role in nurturing a space for queer activism and sexual and identity politics on film

BY Ellen Mara De Wachter |

Five of the best recent artist projects that show alternatives to unsustainable practices

BY Ellen Mara De Wachter |

On show at WIELS, Brussels, the artist's textiles are modes of conscious reparation, through which damage and disrepair become precious artefacts

BY Ellen Mara De Wachter |

‘You can’t reason with him but you can ridicule him’ – lightweight as it is, Trump Baby is a win for art as a legitimate form of protest

BY Ellen Mara De Wachter |

The collaborative practice, led by Helen Walker and Harun Morrison, uses community networks and humour to tackle serious social issues

BY Ellen Mara De Wachter |

How do you fit 70 exhibitions, 85 partners, 150 artists, and the contents of more than 48 maps and leaflets into 24 hours?

BY Ellen Mara De Wachter |

The agency’s founder talks about warfare in the age of post truth, deconstructing images and holding states and corporations to account

BY Ellen Mara De Wachter |

At Jan Mot, Brussels, nine letters written by the artist track the chilling resurgence of Nazism across the globe in recent years

BY Ellen Mara De Wachter |

Three current photography shows in London demonstrate how structures of power influence visual culture

BY Ellen Mara De Wachter |

The question at the heart of Manchester Art Gallery’s artwork removal: what are the risks when cultural programming takes up an activist mantle?

BY Ellen Mara De Wachter |

La Loge, Brussels, Belgium

BY Ellen Mara De Wachter |

From Hannah Black to Not Surprised, the changes demanded by today’s letter writers are still a long way from being assured

BY Ellen Mara De Wachter |

Rebecca Solnit and the Not Surprised letter

BY Ellen Mara De Wachter |