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Ahead of ‘Anni Albers’, which opens at Tate Modern next week, Hettie Judah visits the legendary German educational institution

The fallacies of ‘community building’, online and IRL, in the work of Cécile B. Evans

A new film uses a sculpture by the late Donald Rodney to reflect on the many tales of race and class that are etched on the skin 

The work of John Hanson, Rob Nilsson and Fred Lonidier establishes a dialectic between a leftist melancholy and a more forward-looking politics

‘The images Miller created don’t exist solely in the past: her legacy moves through time, like a river’

Featuring Judy Chicago and Miriam Schapiro, ‘Womanhouse’ marks the 30th anniversary of the museum dedicated to women artists

 

A recent exhibition in Paris rightly affirms the artist as a central figure in arguably the first gender-equal Western art movement

20 Museum directors from major institutions around the world nominate a favourite work by a woman artist in their collection

Susanne von Falkenhausen on this summer’s 10th Berlin Biennale, Manifesta 12 and the future of biennials

Anna Maria Maiolino, É o que Sobra (What Is Left Over), from the series ‘Fotopoemação’ (Photopoemaction), 1974, digital print, 62 × 153 cm. Courtesy: the artist and Galleria Raffaella Cortese, Milan

How the radical practices of female artists drove the Modernist movement in Brazil

Unknown artist, Portrait of Elizabeth I of England, the Armada Portrait, 1588, oil on panel, 1.1 × 1.3 m. Courtesy: Woburn Abbey Collection, Woburn

From Antiquity to the present day, women have been crucial in shaping taste, building collections and supporting artists

Mary Edmonia Lewis, Night (Two Sleeping Children), 1870, marble, 61 × 50 × 38 cm. Courtesy: Baltimore Museum of Art

The extraordinary life of artist Mary Edmonia Lewis, a sculptor of African American and indigenous heritage who achieved international acclaim&nbsp

Video

Sponsored Content - 11 Oct 2018

With his first German solo show at Blain|Southern Berlin open until 17 November, the New York-based artist discusses using drawings to make sense of his intense childhood in Iran and sound being a guiding force 

Frieze Fairs - 07 Oct 2018

Interactive telephone sculptures exploring abuses of power in relation to the role of technology

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