Features

The origins of Gustave Courbet’s ‘Origin of the World’

By Tim Smith-Laing

How did the design school impact on the Antipodes?

By Rebecca Hawcroft

‘Kara Walker reinvents painting and drawing’s conventions, while talking about ideas that are epic in scale and deep in blood,’ Als writes

By Hilton Als

As the artist’s largest survey to date opens at Zeitz MoCAA and Norval Foundation, Cape Town, Sean O’Toole examines his dadaist lexicon 

By Sean O’Toole

‘People younger than myself will be under the false impression that performance has always been taken seriously’

By Pablo Bronstein

Karen Archey on Ligia Lewis and Alex Baczynski-Jenkins

By Karen Archey

Performed images in contemporary art and everyday life

By Isobel Harbison

Fabian Schöneich on the artist’s new performance at Kunsthalle Basel

By Fabian Schöneich

Mimi Chu on Robertas Narkus, Nástio Mosquito, Nora Turato and more

By Mimi Chu

From blues to jazz to the baroque – new fiction from Claire-Louise Bennett

By Claire-Louise Bennett

Johnston showed how writing was performance and politics at once

By Jennifer Kabat

In Harding’s paintings and sculpture, the past and the present merge in a potent reflection on contemporary Australia

By ​Hendrik Folkerts

Video

14 Oct 2019

'I am interested in considering the garden as a site at the intersection between creation and destruction'

09 Oct 2019

Watch artist Mark Bradford in conversation with Hans-Ulrich Obrist at Frieze Masters 2019

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