Frieze Los Angeles

Paramount Pictures Studios

February 15 – 17, 2019



Lisa Anne Auerbach, Readings By Dorothy (from American Magazine 2, 2014. 24 pages 152 x 97 cm each). Courtesy: the artist and Gavlak Gallery, Los Angeles and Palm Beach

Psychic Art Advisor (P3)

Sarah Cain, Mountain Song, 2017, installation view, the Elk Lodge, Snowmass Mountain, organized by the Aspen Art Museum, 2017 - 2019. Courtesy: the artist

I touched a cactus flower (P4)

Catharine Czudej, Smash 3, 2015, Iron, 52 x 95 x 52 cm.

Waiting for Jimmy Hoffa (P12)

Karon Davis, Muddy Water, 2018, installation view, Wilding Cran Gallery, Los Angeles. Courtesy: the artist and Wilding Cran Gallery, Los Angeles

Game (P6)

Cayetano Ferrer, End Credits on Hollywood, 2012, billboard on Hollywood Boulevard, installation view from Made in L.A. 2012, organized by the Hammer Museum and LAXART. Photo: C.F.

Psychical Apparatus Neon (P5)


High and Dry (P7)

Trulee Hall, Serpent White (Corn), 2018. Courtesy: the artist

Infestation (P8)

Patrick Jackson, House of Double, 2011, installation view, 600 Robinson St. #1, Los Angeles (in collaboration with Ghebaly Gallery). Courtesy: the artist and Ghebaly Gallery, Los Angeles

Alley on the Inside (P11)

Barbara Kruger, Title TK, 2019. Courtesy: the artist

Untitled (Questions 3) (P1)

Paul McCarthy, Daddies Tomato Ketchup Inflatable, 2007. Installation view, ‘Paul McCarthy – Air Pressure’, De Uithof, City of Utrecht, Netherlands, 2009. Photo: Misha de Ridder © Paul McCarthy. Courtesy: the artist and Hauser & Wirth

Daddies Tomato Ketchup Inflatable (P13)

Kori Newkirk, Rhythm and Warmth, 2013. Courtesy: the artist

Signal (P9)


This is competition (P10)

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