frieze d/e

Issue 3

Winter 2011

How do photographs circulate and what happens to them over time? The winter issue of frieze d/e looks at how artists use photographs both as isolated objects and as instant images.

Artist and writer Hito Steyerl looks at the story of the photojournalist agency Black Star, exploring what happens to the archives of photo-journalism after digitization.

Plus, writer and lawyer Daniel McClean discusses five ground-breaking cases of photography in litigation and Hans-Peter Feldmann contributes an exclusive artist project, accompanied by an overview of his 40-year career by Elodie Evers.

Is there a difference between digital reproduction and manipulation?

Ausriss aus Freizeit Monat (Nr. 05, 08.04.2011)

Someone who cared

Hervé Guibert, Michel, 1981 (Courtesy: der Künstler & Christine Guibert)

The end of film photography and the rise of digital photography have led to new genres, methods and histories.An overview of a dying and a thriving

Marieta Chirulescu, Ohne Titel/Untitled (forma 1/Form 1), 2011 (Courtesy: Galerie Micky Schubert, Berlin & die Künstlerin)

Using both analogue and digital reproductions, Marieta Chirulescu explores abstract painting and physical space

_AIZ_-Titelblatt (Nr. 31), Collage: John Heartfield, 1933 (Courtesy: Deutsches Historisches Museum, Berlin, The Heartfield Community of Heirs, VG Bild-Kunst, Bonn 2011)

What happens to old photojournalism archives?

Haris Epaminonda/Daniel Gustav Cramer, Book #15, Konrad Onasch, Ikonen, aus der Serie: „The Infinite Library“, seit 2007 (Courtesy: die Künstler & Rodeo, Istanbul, private Sammlung)

Haris Epaminonda began working with found photographs, films and objects – and ended up with a novel form of collage

For more than 40 years, Hans-Peter Feldmann has collected photographs to create his own personal archive

Reto Pulfer, Ausdrucksmoment im Blauen Zimmer, 2009–11 (Courtesy: der Künstler & Gallery Balice Hertling, Paris)

Exhaustion, Textiles, Ceramics and Mnemonics

Anna Witt, Push, 2006 (Courtesy: die Künstlerin & Wentrup Gallery)

Subject, Object and Abject

Taryn Simon, A Living Man Declared Dead and Other Chapters (Ein für tot erklärter Lebender und andere Kapitel), 2008–11, Auszug aus Kapitel XI (Courtesy: Gagosian Gallery & die Künstlerin)

Five groundbreaking cases of photography in litigation

Shirana Shahbazi, [Schmetterling-32-2008], 2008

Fotomuseum Winterthur

Pierre Huyghe, Umwelt, Detail, 2011

Esther Schipper, Berlin, Germany