Frieze London 2016
October 2016

The third issue of Frieze Week, is the essential companion to Frieze London and Frieze Masters 2016. Edited by Caroline Roux (FT, Economist, W) the issue features picks from leading curators, Philippe Parreno and Liam Gillick in conversation, a day-by-day itinerary for navigating the week, a travelogue around London's young galleries by Ben Eastham. Also in the issue: Ali Smith on the meaning of the arch, Edwin Heathcote discusses art and architecture, Jane Morris reveals the world of vetting, and – in tandem with Frieze London's new section 'The Nineties' – dealers including Lisa Spellman, Massimo de Carlo and Esther Schipper look back on the decade the art world changed.

With a complete gallery listing for both fairs, Frieze Week is the essential accompaniment for London's most significant art week.

From this issue

Investigating the many meanings of the subject of this year's Frieze Masters and Frieze London campaigns

BY Ali Smith |

From Ancient Egypt to Baroque Bologna to avant-garde Moscow, the works at Frieze Masters open up a world of stories

Sarnath Banerjee's commission for Deutsche Bank

BY Shanay Jhaveri |

The works at Frieze Masters open up a world of stories

The fairs are over but, the capital's young galleries continue to flourish, in spaces both familiar and unlikely

BY Ben Eastham |

Frieze Talks address the critical issue of open and closed borders

BY Christy Lange |

The collaborators discuss the London Underground and Parreno's commission for Tate Modern

Exploring the evolution of the architecture of art spaces

BY Edwin Heathcote |

From Ancient Egypt to Baroque Bologna to avant-garde Moscow, the works at Frieze Masters open up a world of stories

From Ancient Egypt to Baroque Bologna to avant-garde Moscow, the works at Frieze Masters open up a world of stories

Curators from influential institutions predict their Frieze London highlights

BY Suzanne Cotter |

Curators from influential institutions predict their Frieze London highlights

BY Stuart Comer |

Curators from influential institutions predict their Frieze London highlights

BY Polly Staple |

From Ancient Egypt to Baroque Bologna to avant-garde Moscow, the works at Frieze Masters open up a world of stories

Curators from influential institutions predict their Frieze London highlights

BY Jochen Volz |

From Ancient Egypt to Baroque Bologna to avant-garde Moscow, the works at Frieze Masters open up a world of stories

From Ancient Egypt to Baroque Bologna to avant-garde Moscow, the works at Frieze Masters open up a world of stories

From Ancient Egypt to Baroque Bologna to avant-garde Moscow, the works at Frieze Masters open up a world of stories

From Ancient Egypt to Baroque Bologna to avant-garde Moscow, the works at Frieze Masters open up a world of stories

From Ancient Egypt to Baroque Bologna to avant-garde Moscow, the works at Frieze Masters open up a world of stories

Curators from influential institutions predict their Frieze London highlights

BY Phillip Tinari |

Curators from influential institutions predict their Frieze London highlights

BY Bettina Steinbrügge |

Curators from influential institutions predict their Frieze London highlights

BY Simon Castets |

A six-point guide to the discreet practice of vetting

BY Jane Morris |

As the fairs move forward this year, there's more to do than ever - both inside and out

From Ancient Egypt to Baroque Bologna to avant-garde Moscow, the works at Frieze Masters open up a world of stories

Curators from influential institutions predict their Frieze London highlights

BY Natasha Ginwala |

Caroline Roux talks to section curator Nicolas Trembley and gallerists about the decade the art world changed

BY Nicolas Trembley AND Caroline Roux |