Film

Showing results 41-60 of 111

Gessica Généus’s feature film debut tells a touching story about a young woman’s struggle to find hope in a country full of despair and violence

BY Terence Trouillot |

Matt Lloyd Turner reviews IFFR’s Tiger Shorts Competition – programming focused on collectivity – to see what changes when viewed on a computer screen

BY Matt Lloyd Turner |

As Memoria opens across the UK, the acclaimed Thai director talks to Rory O’Connor about casting Tilda Swinton and the power of the big screen

BY Rory O'Connor |

From the red/blue pill symbolism to the trans allegory, McKenzie Wark muses on the real-life narratives surrounding the simulated world of The Matrix

BY McKenzie Wark |

In his newest hallucinatory animation, ‘Life After BOB’, the artist questions self-determination in an algorithmic age

BY Travis Diehl |

Sasha Frere-Jones pens a letter to Todd Haynes, the director of the new documentary, which charts the band’s illustrious career

BY Sasha Frere-Jones |

The activist and videomaker’s adaptation of Nikolai Erdman’s The Suicide (1928) is a production of pure absurdity in the face of mortality

BY Mackenzie Lukenbill |

With the UK film release of Jack London’s novel Martin Eden, Caitlin Quinlan speaks to the director about the adaption's themes of class, mobility and hazardous individual success

BY Caitlin Quinlan |

The surreal rock opera, which opened this year’s Cannes Film Festival, is a gritty musical examining sex, power and family relations under intense glare of fame

BY Carlos Valladares |

In the group show ‘More Life’ at David Zwirner, the late filmmaker is celebrated for his contributions as a Black gay artist at the height of the AIDS pandemic  

BY Logan Lockner |

In Awoye Timpo’s reimagining of Gunn’s play, a father and son grapple with visions of accomplishment that deny autonomy and identity

BY Beatrice Loayza |

In the lead-up to her film, Bergman Island (2021), director Mia Hansen-Løve talks about the task of capturing youth and the future of cinema

BY Rory O'Connor |

The director’s latest film questions the reality of social media tropes and the boundaries between ‘genuine’ and ‘performed’ in a world of online influencers

 

BY Leila Sackur |

In the first of a series of events partnered with MUBI, the artist discusses love, empathy and sexuality in Glazer’s 2013 masterpiece

BY Sean Burns |

After months of lockdown, cinemas in the UK re-open with Pedro Almodóvar’s smart, chic short 

BY Philippa Snow |

At a time of enforced distancing, Sharon Hayes’s Ricerche: two examines the intimacy of women’s American football teams

BY Maddie Klett |

Brian Dillon on the television programme’s museum of images and memories 

BY Brian Dillon |

How the Chinese YouTube sensation has seduced urban dwellers worldwide

BY Julian Junyuan Feng |

Thomas Vinterberg’s latest film about a group of middle-aged men finding happiness through the habitual consumption of alcohol is sentimental and without complexity

BY Kristian Vistrup Madsen |

In his new film, White Cube, the artist – again – perpetuates the very form of exploitation he is criticizing

BY Eric Otieno Sumba |