Does the art world still have a centre?

The strange persistence of class difference in art

What conflicts await the next Director of Vienna’s Academy of Fine Arts?

Are the changes to Swiss art funding only about censorship?

Three recently released mix albums and the purist’s fear of digital bastardization

In this series, frieze d/e asks artists, curators or writers to reflect upon one word and its impact

A Hamburg exhibition and a new collection of his writings shed another light on Aby Warburg

Marburger Kunstverein, Germany

dOCUMENTA (13) Artistic Director, Carolyn Christov-Bakargiev, spoke with Noemi Smolik about creating the exhibition and throwing out the concept

Museum für Moderne Kunst, Frankfurt am Main, Germany

Water bottles, pills and emergency blankets

Since the mid-1990s, Henrik Olesen has taken apart clichés about gay identity and turned the pieces into visceral installations, sculptures and collages

BAWAG Contemporary, Vienna, Austria

Soy Capitán, Berlin, Germany

Is the activity of artists overshadowing their art?

Fotomuseum Winterthur, Switzerland

Galerie Chantal Crousel, Paris, France

Searching in the archives, Susanne Kriemann finds a new life for photography

Secession

Guido W. Baudach

Kunstverein für die Rheinlande und Westfalen

Sprengel Museum

freymond-guth Ltd. fine ARTS

Galerie Martin Janda

Galerie Francesca Pia

Galerie Barbara Weiss

Max Frisinger picks up what other people throw away and binds it into sculptural cartographies of the city

Temporary Gallery Cologne

Städtische Galerie Dresden

The hype around Berlin as a magnet for artists from all over the world has been discussed for years. But how do artists  as residents, citizens and German citizens  relate to the city? A roundtable discussion, led by Jennifer Allen and Jörg Heiser with Maja Bajevic, Carson Chan, Annika Eriksson and Olaf Nicolai

Biedermeier und Brasilien, Wallpaper Landscapes, Polaroids and Thoughtographs

Heimo Zobernig talks to Kirsty Bell about his sculptures, paintings and videos from the early 1980s to the present  and about red light, mannequins and Oswald Wiener’s literary sources

Choose a single object of special significance from you working or living environment