The spring issue of frieze d/e is out now with essays by Ed Atkins, Kirsty Bell and Hannah Black on the return of "The Abject" in art; plus, features on Thea Djordjadze, Yngve Holen and Jochen Lempert; and a look at Omer Fast’s film adaptation of Remainder by Tom McCarthy. D
Also featuring: Karen Archey encounters bodily and technological extremes in the work of Yngve Holen; Patrizia Dander discovers how biology adapts to art in the work of photographer Jochen Lempert; and Saim Demircan explores Veit Laurent Kurz’s topographies of fear.
