At Martina Simeti, Milan, the artist’s free-form paintings speak to the musical and artistic traditions of Black communities

Saim Demircan explores three decades of life and loss in Kharkiv through the work of the Ukrainian photographer

At Pinacoteca Agnelli, Turin, the artist’s works playfully subvert the art historical canon

From Costanza Candeloro at Martina Simeti to Anicka Yi at Pirelli HangarBicocca, Saim Demircan gathers his top picks from Milan

The artist speaks to Saim Demircan about the storied exhibition space, the Orchard gallery, and his innovative films documenting its three-year run

At Galleria Franco Noero, Turin, the artist's current series is exposed to the elements and requires avian participation

At Participant Inc, the artist presents photographic and video works that reflect on our increased reliance on digital space 

At Andrew Edlin Gallery, New York, the late artist’s drawings and sculptures celebrate the spirit and history of southern Black communities

At Galerie Max Mayer, a series of LED ‘paintings’ reflects on the value of performative practices

At Ortuzar Projects, New York, the artist’s radiant portraits of travellers on ‘citizen ships’ maintain ‘an abiding faith in the power of the human spirit’

Paul B. Preciado’s norm-defining show at WKV Stuttgart lays the groundwork for a crip-theoretical re-evaluation of art history

An exhibition at Galerie Barbara Weiss, Berlin, transports Sebastián Lelio’s award-winning film Una mujer fantástica into the gallery space

Spectral lone female figures pose and recline in a series of nebulous paintings on view at Galerie Rüdiger Schöttle, Munich

Risk Assessment

Wolfgang Tillmans has launched a pro-EU poster campaign. Should more UK cultural institutions be speaking out?

The printed page as exhibition space

Could this viscerality, this hysteria, be political?

The consumption of ecosystems and drug-altered states

Dold Projects

What was it that made the documentation of collective artist activities from the early 1990s so different, so appealing? An interview with Stephan Dillemuth about Cologne art space Friesenwall 120 and the role of video in exhibition documentation