Is there a difference between digital reproduction and manipulation?

Someone who cared

The end of film photography and the rise of digital photography have led to new genres, methods and histories.An overview of a dying and a thriving medium

Using both analogue and digital reproductions, Marieta Chirulescu explores abstract painting and physical space

What happens to old photojournalism archives? The case of the Black Star archive reveals surprising connections to Germany and histories which foresee the future

Haris Epaminonda began working with found photographs, films and objects – and ended up with a novel form of collage

For more than 40 years, Hans-Peter Feldmann has collected photographs to create his own personal archive

Exhaustion, Textiles, Ceramics and Mnemonics

Subject, Object and Abject

Five groundbreaking cases of photography in litigation

Fotomuseum Winterthur

Esther Schipper, Berlin, Germany

Kestnergesellschaft

Kunsthaus Graz

Galerie Eva Presenhuber

Spinnerei archiv massiv

Galerie Emanuel Layr

Galerie Karin Guenther

Kunstpavillon

Galeria Plan B

Württembergischer Kunstverein

Circuit

Clages

Aargauer Kunsthaus

Kunsthalle Düsseldorf

Chert

Galerie Nicola von Senger

Meyer Riegger

Bitforms Gallery

Kunsthaus Kaufbeuren

Choose a single object of special significance from your working or living environment

A rediscovered film sheds new light on Rudolf Schwarzkogler and the Vienna Actionists

On postcards and an encounter with a Basel pioneer of Conceptual art

What’s a meme and what does it mean, if anything? Anatomy of an Internet phenomenon

What do pictures of a top al-Qaeda terrorist being arrested in Karachi on 11 September 2002 actually show?

In this series, frieze d/e asks artists, curators or writers to reflect upon one word and its impact

The return of a pioneer of German pop, and electronic music in general: Holger Hiller spoke with Klaus Walter about Albert Oehlen, Scooter and himself

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