Issue 73
March 2003

In the latest issue of frieze Jennifer Higgie looks at the work of Swiss police photographer Arnold Odermatt and Kate Bush reflects on accidental art of Eugene Atget, E.J.Bellocq and Enrique Metinides.

Other features include Jorg Heiser’s exploration the paper world of Thomas Demand’s photographs and films, plus Brian Dillon on scientific photography, Kristin M.Jones on Jitka Hanzlova, Bert Rebhandl on Jun Yang and Alex Farquharson on the strange world of Morton Bartlett. 

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From this issue
Reviews
Reconstruction Isn't Easy

IBID Projects, London, UK

BY Jennifer Higgie |
Reviews
Erik Parker

Leo Koenig, New York, USA

BY Karen Rosenberg |
Reviews
Andres Serrano

Gimpel Fils, London, UK

BY Martin Herbert |
Reviews
Susan Norrie

Australian Centre for Contemporary Art, Melbourne, Australia

BY Jazmina Cininas |
Reviews
Reza Aramesh

Platform, London, UK

BY Holly Walsh |
Reviews
Drawing Now: Eight Propositions

MoMa Queens, New York, USA

BY James Trainor |
Reviews
Jeppe Hein

Johann Konig, Berlin, Germany

BY Dominic Eichler |
Reviews
John O'Reilly

Julie Saul Gallery, New York, USA

BY Christian Hawkey |
Reviews
(hi)story

Salzburg Kunstverein, Austria

BY Justin Hoffmann |
Reviews
Nick Ackerman

Nick Ackerman, Lizabeth Oliveria Gallery, San Francisco, USA

BY Julian Myers |
Reviews
Ryan Mendoza

Museo Castel Nuovo, Naples, Italy

BY Morgan Falconer |
Reviews
All You Need to Know

Laing Gallery, Newcastle upon Tyne, UK

BY Neil Mulholland |
Reviews
Carroll Dunham

New Museum of Contemporary Art, New York, USA

BY Kristin M. Jones |
Reviews
Noble & Silver

Beaconsfield, London, UK

BY Dan Fox |
Reviews
Stefan Kern

Spruth Magers Projekte, Munich, Germany

BY Holger Liebs |
Reviews
Chris Larson

Rare, New York, USA

BY Michael Wilson |
Reviews
Douglas Gordon’s Fractured Exercise in Autobiography

At Hayward Gallery, the artist explores authorship, satanism and the all-being ‘I’

BY Tom Morton |
Reviews
Dana Schutz

LFL Gallery, New York, USA

BY Peter Eleey |
Reviews
Blinky Palermo

Museu d'Art Contemporani de Barcelona, Spain

BY Jan Verwoert |
Reviews
Joel Sternfeld

The Photographer's Gallery, London, UK

BY Brian Dillon |
Frieze
Guys and Dolls

Morton Bartlett

BY Alex Farquharson |
Frieze
Candid Camera

'Unauthored' Photography

BY Kate Bush |
Frieze
Pulp Fiction

Thomas Demand

BY Jörg Heiser |
Features
Always Crashing in the Same Car

Arnold Odermatt

BY Jennifer Higgie |
Features
Perfect Symmetry

Aesthetics of Scientific Photography

BY Brian Dillon |
Features
Going Solo

Jitka Hanzlová
Profiles
Giovanni Intra

1968-2002

BY Will Bradley |
Opinion
Pier Pressure

An Endangered Masterpiece of Victorian Engineering

BY Jennifer Higgie |
Opinion
Philosophy

The Mythologizing of Roland Barthes

BY Tom Morton |
Frieze
Photography: Small Faces

Babbette Hine's Study of Photo Booth Images

BY Brian Dillon |
Frieze
Quick on the Draw

The Lost Art of 'Chalk Talks'

BY Dan Nadel |
Frieze
Dan Fox on Alan Clayson's biography of Edgard Varèse

Alan Clayson's biography of Edgard Varèse

BY Dan Fox |
Frieze
Palm Reading

Pocko Editions' Pocket-Sized Art Books

BY Emily King |
One Takes
Picture Piece: Sir John Soane's mausoleum

The final resting place of the British architect