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Contributor
Brian Dillon

Brian Dillon is a writer. His latest book Affinities: On Art and Fascination will be published in spring 2023 by the New York Review of Books and Fitzcarraldo Editions, London. He is working on a book about Kate Bush’s Hounds of Love.

On the 100th anniversary of the birth of influential photographer, we revisit his landmark photo book, ‘The Americans’

BY Brian Dillon |

How do we read The Sexual Life of Catherine M in the age of #MeToo and autofiction?

BY Brian Dillon |

On the centenary of the photographer’s birth, an outtake of his iconic portrait of William Casby, a self-conscious image captured alongside five generations of his family

BY Brian Dillon |

The writer presents a playlist which captures Kate Bush's digital psychedelia

BY Brian Dillon |

Brian Dillon on the 40th anniversary of the singer’s lesser-known record, The Dreaming

BY Brian Dillon |

Brian Dillon on the television programme’s museum of images and memories 

BY Brian Dillon |

The artist’s first novel proceeds by image and incantation rather than much in the way of explicit plot

BY Brian Dillon |

From enfant terrible of British ballet to a retrospective at the Barbican Gallery, how the choreographer and performer found a home in the contemporary art world 

BY Brian Dillon |

‘There is pain and suffering in these pictures, but also pure possibility’

BY Brian Dillon |

Learning to survive a jittering feed of survivalist pro tips and transhumanist dreck

BY Brian Dillon |

The writer’s ‘immoderate’, genre-crossing style set the tone for the biggest literary trend in recent years

BY Brian Dillon |

In ‘Coventry’, events seem to happen to somebody else, to a person Cusk repeatedly exposes and judges

BY Brian Dillon |

‘It’s the way he talks about his own death that amazed then and impresses today’

BY Brian Dillon |

Found first in the pages of NME, an homage to the critic who brought an antic traduction of high French theory to the study of contemporary pop

BY Brian Dillon |

The Wooster Group’s adaption of the infamous, hot-tempered event reminds us just how brilliant Germaine Greer used to be

BY Brian Dillon |

Revision and revolt in the work of Nairy Baghramian

BY Brian Dillon |

Author and poet Susan Stewart's new book shows her abiding concern with lyric

BY Brian Dillon |

Tate Modern, London, UK

BY Brian Dillon |

From Michael Gove to Mary Hurrell to Orange is The New Black, the year in review

BY Brian Dillon |

Marian Goodman Gallery, London, UK

BY Brian Dillon |