The winner of the Käthe Kollwitz Prize 2018 discusses her MoMA retrospective, Germany’s political future, and her love of jokes
In times of political turmoil, art is a necessary rebuke to escapism
On the occasion of her MoMA retrospective, six missives to the artist from her peers
From ‘Grant Wood fever’ to Adrian Piper’s homecoming at MoMA
The limits of multidisciplinarity: from Adrian Piper to the 10th Berlin Biennale
Ahead of artgèneve, a guide to the best shows to see around town
From major institutional shows to the most-talked restaurants
Reconsidering the ethics and efficacy of ‘strategic essentialism’ via Adrian Piper, ‘We Wanted a Revolution’ and Juliana Huxtable
Hamburger Bahnhof, Berlin
Are the roles of artist and writer compatible?
The first of three articles exploring art, class and precarity: a range of artists, curators and writers explore how class shapes art-making today
