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Ala Younis

Two shows in London, by Yto Barrada and Ala Younis, suggest that the unwritten future need not be as unjust or limiting as the erased past

Hrair Sarkissian, from the ‘Execution Squares’ series, 2008, archival inkjet prints, each 1.3 × 1.6 m

How artists and curators have responded to upheaval in the Arab world, from 1967 to the present day