Andrew Durbin

St. Mark's Square During the Historic Flood, 1966. Courtesy: Wikimedia Commons

To address the ‘interesting times’ alluded to in the title of the 58th Venice Biennale, we must challenge the language we use to describe them

By Andrew Durbin
Armando Iannucci, Veep, 2012 - 9. Courtesy: Colleen Hayes and HBO

In its final season, ‘Veep’ satirizes the heartless ambition driving US politics

By Andrew Durbin

New York

4 May

The television show – the director’s first – is a sequel to his 1997 film of California queer disillusion, Nowhere

By Andrew Durbin

These specially commissioned photographs capture an ever-changing city through portraits of friends 

By Oto Gilen

Sherry Lansing Theater, Saturday, February 16, 6.30pm

Stanya Kahn, Stand In The Stream (still), 2011-2017, HD color video stereo sound. Courtesy: the artist and Susanne Vielmetter Los Angeles Projects, Los Angeles, USA

Los Angeles

16 Feb
Oto Gillen, Madison Street, August 24, 2017, 2018, dye sublimation print on aluminium and wood, 122 × 81 cm. Courtesy: the artist and Metro Pictures, New York

‘Gillen suggests that New York is less a place than it is an open-ended idea’

By Andrew Durbin

At last, MoMA has restored the dancer, choreographer and filmmaker’s 1980s classic

By Andrew Durbin

The artist’s sculpture possessed an almost surreal promise, as if at any moment it might become a Really Living Thing

By Andrew Durbin
Laurie Anderson. Photo: EbruYildiz

At Frieze London this year's talks explore the role played by autobiography in art and society