Arte Povera

From Karanjit Panesar’s reflections on familial diaspora to concurrent exhibitions by Danielle Dean and Dan Guthrie exploring the representation of Black British life

A group exhibition at Mazzoleni, London, captures the movement’s playful challenge to art world conventions

From Lydia Ourahmane’s filmic exploration of central Saharan mountains at Fondation Louis Vuitton to P Staff’s ‘Love Life’ at Galerie Sultana

Reflecting on the late curator, critic, art historian and impresario with artists Laurie Anderson, Thomas Demand and Paolo Icaro

The only woman affiliated with the Arte Povera movement resisted machines, definitions and permanence

At Galleria Massimo Minini, Brescia, the artist explores technical virtuosity and trompe l’oeil through bronze-branches on fire, fake mirrors and floating candles

A survey at Pirelli HangarBicocca, Milan, views the artist’s oeuvre through the prism of the form he returned to constantly throughout his life

Fifty years after its first outing, the artist reprises his legendary Walking Sculpture performance in the US

Osei Bonsu talks to curator Germano Celant about the enduring relevance of the Italian art movement, Arte Povera – a term Celant coined 50 years ago

In memory of Emilio Prini (1943–2016)

Held across eight Italian galleries and museums, ‘Arte Povera 2011’ fails the original spirit of the art movement created by Germano Celant

Tate Modern, London, UK