With a current show at Künstlerhaus Stuttgart, the artist talks about story-telling, ‘self-erasure’ and the importance of speech and language in her work
From the musical traditions of Palestine to the global circulation of seeds, the artist unpicks the power structures that support even the most lyrical aspects of life
Édouard Glissant's 1961 play Monsieur Toussaint reimagined as a slam battle, swerving between Haitian Creole and French (for a performance at the Ghetto Biennale)
