The Barbican

A rare screening of ‘The Dilapidated Dwelling’ (2000) at the Barbican shows why Keiller’s films should be compulsory viewing

By Dan Hancox

At the Barbican, a double bill of two great photographers reveals radically different approaches to social documentary 

By Shelley Klein

Is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?

By Hettie Judah

The Barbican, London, UK

By Jonathan Jones