Carlos Amorales

From a swarm of black paper moths to an invented typeface, a retrospective at MUAC reflects the Mexican artist’s shape-shifting practice

By Benoît Loiseau
Carlos Amorales, Las masas, 2017. Courtesy: the artist and kurimanzutto, Mexico City; photo: Estudio Amorales

Mexico City

10 Feb
16 Sep

kurimanzutto, Mexico City, Mexico

By Jessica Berlanga Taylor