Casey Kaplan

Matthew Brannon in his studio, New York City, 2018

Frieze Fairs - 24 Apr 2018

Ahead of their debut dispay at Frieze New York next week, the artist discusses his new meticulously constructed silkscreens, exploring the imagery of Vietnam War

Elsewhere: activists protest AfD with Holocaust Memorial replica; censorship at Kuala Lumpur Biennale; Venice Biennale's record attendance

New York

2 Nov
23 Dec
Kevin Beasley, Untitled (petrified), 2017, polyurethane foam, resin, redskins 1937 throwback speed helmets, 30 x 30 x 71 cm. Courtesy: Casey Kaplan

Casey Kaplan, New York, USA

By Ian Bourland
Untitled (stack), 2015,  polyurethane foam, resin, soil,  house dresses, T-shirts, studio  debris, soil, 121 × 68 × 50 cm. All images courtesy the artist and Casey Kaplan, New York

Sculpture, field recordings and the ghosts of dead rappers

By Andy Battaglia
Untitled, 2014, glass casting,  87 × 73 × 12 cm. All images courtesy the artist, Massimo De Carlo, London, and Casey Kaplan, New York

The audio, visual world of Diego Perrone

By Barbara Casavecchia

Spirits, objecthood and the ‘Black Forest voodoo’ of Geoffrey Farmer’s mirages and micro-events

By Jan Verwoert
Jack Goldstein, Suite of Nine 7-Inch Records with Sound Effects (1976)

Casey Kaplan Gallery, New York, USA

By Kristin M. Jones