Chloë Ashby

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An exhibition of kaleidoscopic painting at Victoria Miro, London, is a celebration of free love and excess

BY Chloë Ashby |

Ahead of Tate Modern’s first major show on the French artist in 70 years, what can we learn from an incomplete work of art?

BY Chloë Ashby |

This is an artist who delights in confronting human flaws – both other people’s and his own

BY Chloë Ashby |

An exhibition aims to give voice to the ‘fallen women’ at the heart of the Victorian brotherhood

BY Chloë Ashby |

In the first show dedicated to the artist’s portraits, a narcissistic personality emerges

BY Chloë Ashby |

As a survey of his work opens at the V&A in London, the fashion photographer discusses the balance between beauty and ugliness; light and dark; truth and imagination

BY Chloë Ashby |

Found stashed under her bed when she died, the spiritualist’s drawings and embroideries go on show at William Morris Gallery

BY Chloë Ashby |