Dana Kopel

An exhibition at ICA Philadelphia presents the late-artist's development in line with the discourses of her too brief time

By Dana Kopel

Sophie Fiennes’s new film Bloodlight and Bami reveals a personal side of the singer as yet unseen 

By Dana Kopel

At Gavin Brown's enterprise, New York, the artist transposes visions of queer intimacy into an animated technofuture

By Dana Kopel
B. Wurtz, 2017, exhibition view at Lulu, Mexico City. Courtesy: Lulu, Mexico City

Lulu, Mexico City, Mexico

By Dana Kopel