Showcasing a diversity of extraordinary artworks and objects across millennia at Frieze Masters 2018
Amanda Wilkinson, London
Derek Jarman, circular time and seed catalogues: Olivia Laing takes the long view
As morbid devotional objects go on show at Frieze Masters, one writer asks: why do we look at violent religious art?
Looking at Caravaggio in the 21st century
On the 20th anniversary of Derek Jarman’s death, Paul Schütze spoke to Simon Fisher Turner about composing music fo
frieze asks artists and filmmakers to list the movies that have influenced their practise