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Derek Jarman

Showcasing a diversity of extraordinary artworks and objects across millennia at Frieze Masters 2018

Derek Jarman, circular time and seed catalogues: Olivia Laing takes the long view

Attributed to Jacob Agnesius, Saint Sebastian, c.1638. Ivory carving. Courtesy: Colnaghi

As morbid devotional objects go on show at Frieze Masters, one writer asks: why do we look at violent religious art?

Looking at Caravaggio in the 21st century

Queer, 1991.  Courtesy: the estate of Derek Jarman and Thames and Hudson; published in Derek Jarman’s Sketchbooks, 2013.

On the 20th anniversary of Derek Jarman’s death, Paul Schütze spoke to Simon Fisher Turner about composing music fo

Derek Jarman, The Garden, 1990. Courtesy: Ronald Grant Archive

frieze asks artists and filmmakers to list the movies that have influenced their practise