Dominic Eichler

Capitain Petzel

By Dominic Eichler
The artist posing in front of Mount Vesuvius, the location for the final scene of Devo Partire. Domani  (I Must Go. Tomorrow) 2010 • Photograph: © Luciano Romano / Napoli Teatro Festival Italia 2010

Ming Wong’s homage to Pier Paolo Pasolini involved relocating the story of the Italian director’s 1968 masterpiece, Teorema, from Milan to Naples.

By Dominic Eichler

Quotation, collaboration and dissemination; ice lollies, art magazines and floral foam

By Dominic Eichler

Tariq Alvi’s collages and sculptures explore the politics of sexual and cultural value systems

By Dominic Eichler

Ornithology, rustic landscapes and furniture; ’60s magazines, periodicals and nature books

By Dominic Eichler

Norwegian artist and novelist Matias Faldbakken responds to socio-political sore points with ambivalence and provocation

By Dominic Eichler

The myriad uses of art and artists

By Dominic Eichler
Jacke wie Hose (One or the Other) (detail), 1970, silkscreen on paper, 125x50 cm. Courtesy: Galerie Johann Widauer, Innsbruck

Thomas Bayrle’s long and varied career as an artist reveals a sensibility shaped in equal parts by humour, absurdity and social criticism

By Dominic Eichler
The Top Thirteen Singles from Billboard's Hot 100 Singles Chart for the Week Ending September 11, 1993, 1993, mixed media, dimensions available. Courtesy: Galerie Gisela Capitain, Cologne and Luhring Augustine, New York

Stephen Prina’s installations, performances and objects are characterized by their rich layers of reference and discursive discordance

By Dominic Eichler

September Gallery, Berlin, Germany

By Dominic Eichler

For 20 years, Wolfgang Tillmans’s photography has been a sustained meditation on observation, perception and translation

By Dominic Eichler

Sergej Jensen’s exhausted, expressive paintings, gallery interventions, rare films and moody music

By Dominic Eichler