Dora García


Carlos Pazos, Milonga, 1980, hand-coloured photograph with collage and fluorescent light, 1.1 × 1 m. Courtesy: © Carlos Pazos, A+V Agencia de Creadores Visuales, 2019

 

As an exhibition of works selected by the Spanish author opens in London, he discusses realism, ambiguity and why he doesn’t want to be a ‘curator’

By Amy Sherlock

From Diamantino to The Grand Bizarre, the most intelligent films are also among the most joyous

By Nick Pinkerton

Thoughts on the difficulties of introducing art into the public realm, following a recent symposium organized by Oslo Pilot

By Harry Thorne