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Dora García


Carlos Pazos, Milonga, 1980, hand-coloured photograph with collage and fluorescent light, 1.1 × 1 m. Courtesy: © Carlos Pazos, A+V Agencia de Creadores Visuales, 2019

 

As an exhibition of works selected by the Spanish author opens in London, he discusses realism, ambiguity and why he doesn’t want to be a ‘curator’

By Amy Sherlock

From Diamantino to The Grand Bizarre, the most intelligent films are also among the most joyous

By Nick Pinkerton

Madrid

18 Apr
3 Sep

Thoughts on the difficulties of introducing art into the public realm, following a recent symposium organized by Oslo Pilot

By Harry Thorne