En Liang Khong

The art world is not the world, but what the world needs, artists need, too

By Evan Moffitt and En Liang Khong

The Golden Lion-winning Lithuanian Pavilion, ‘Sun & Sea (Marina)’, crafts an endless pop song for the end times

By En Liang Khong

Leftist histories, state violence and the cracking open of time: can a ‘mere’ competition, and publicity exercise, also speak truth to power?

By En Liang Khong

From Budapest to Liverpool, a resurgent far-right poses a great threat to cultural freedom

By En Liang Khong

‘Art is not CNN,’ says Banu Cennetoğlu – new works produced with London’s Chisenhale Gallery ask: are you paying enough attention?

By En Liang Khong

Laments for the dead are performed in a secret crypt beneath Islington Green

By En Liang Khong

Inspired by L. Frank Baum’s illusory city, K11’s first in-house curated show looks to the hidden forces structuring how we see the world

By En Liang Khong

From a drone strike in Pakistan to reconstructing Syrian torture cells, a survey of the Eyal Weizman-led 'counter-forensics' agency at London's ICA

By En Liang Khong

From Ragnar Kjartansson’s Italo-pop-infused The Sky in a Room to Matt Stokes’s happy hardcore recitals: the organ’s profane potential

By En Liang Khong

Ahead of a show at Amsterdam’s EYE Filmmuseum, how the documentarian’s wandering gaze takes in China’s landscapes of loss

By En Liang Khong

Reopening after a two-year hiatus, London’s brutalist landmark is more than a match for the photographer’s blockbuster capitalist realism

By En Liang Khong

Highlights from the 2018 edition of Condo London, a collaborative exhibition by 46 galleries across 17 citywide locations

By En Liang Khong