End of the Decade

In our first issue of the new decade, we look back on some of the best (and worst) of the last ten years and find a few reasons to be excited for 2020

By Amy Sherlock

From Somerset to Menorca, H&W’s ‘art centre’ model has redefined what a commercial gallery can be. Can our public institutions compete?

By Chris Fite-Wassilak

From Chelsea Manning to Edward Snowden to the Trump–Russia dossier, public outcry has soon reverted to business as usual

By Gary Zhexi Zhang

From parafactual entertainment to teen TV and the ‘flood’ of content

By Timotheus Vermeulen