Fatima Al Qadiri

Fatima Al Qadiri and Khalid Al Gharaballi, still from ‘MENDEEL UM A7MAD (NxIxSxM)’, 2012, 15:28 min. Courtesy: the artists


9 Nov
14 Jan

At the Serpentine Marathon, artists and scientists considered AI, paranoia and the supernatural in an age of machine learning

By Hettie Judah
Fatima Al Qadiri. Photo by Daniel Sannwald

On the role of borders – and how the arts can traverse them – in our current political climate

Ian Cheng, This Papaya Tastes Perfect, 2011, still from motion capture animation

How will stories be told in the future? frieze asks nine artists and writers to reflect on how narrative structures will change as technology advances