Felix Gonzalez-Torres

The artist’s new show at Triangle, Marseille, explores mobility and its limitations

By Eliel Jones
Valeska Soares,  Finale, 2013, antique table, glasses,  pitchers, decanters, alcohol and mirror,  79 × 335 × 92 cm. Courtesy: the artist, Cisneros Fontanals Art Foundation, Miami, Alexander Gray Associates, New York and Fortes D’Aloia & Gabriel, São Paull

The artist discusses the objects, ideas and artworks that have shaped her practice

By Evan Moffitt and Valeska Soares

Reconsidering the ethics and efficacy of ‘strategic essentialism’ via Adrian Piper, ‘We Wanted a Revolution’ and Juliana Huxtable

By Emily Watlington

Skulptur Projekte Münster artist list announced; Andrea Rosen to close her New York gallery; increasing numbers call for the closure of LD50

From Xu Zhen’s store to Felix Gonzalez-Torres’s first show in China, the best shows to see in the city this week

By Alvin Li

Villa Empain, Boghossian Foundation, Brussels, Belgium

By Kirsty Bell
Karen Kilimnik, James Bond, Sylvester Stallone’s new companion & an assortment of future Bond girls (detail) (1987). Courtesy: the artist and 303 Gallery, New York

Nicolas Trembley's essential texts on the '90s networked tendency

By Nicolas Trembley

Curators from influential institutions predict their Frieze London highlights

By Bettina Steinbrügge

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

Andrea Rosen Gallery, New York, Hauser & Wirth, London, and Massimo de Carlo, Milan

By Matthew McLean

A round-up of the best shows opening during Frieze Week

By Orit Gat
Jonas Wood, Interior with Fireplace, 2012, oil and acrylic on canvas on paper, 2.6 × 2.3 m. Courtesy: the artist and David Kordansky  Gallery, Los Angeles; photograph: Fredrik Nilsen

Imagine a door with no room: Are you inside or outside?

By Amy Sherlock