Film

Showing results 381-400 of 470

Film as social experiment, and learning how to communicate without speaking

BY Kirsty Bell |

The Los Angeles-based filmmaker discusses cities, soundtracks and landscapes

Conflict, communion and making human presence resonate in the landscape

BY Silas Martí |

The new wave of social-realist storytelling in American cinema

BY Bert Rebhandl |

The Portuguese artist, while best know for his paintings, also made moving image works

BY João Laia |

Remembering Chris Marker

BY Jeremy Millar |

For 35 years, Ericka Beckman has been making films which combine choreographed set pieces and ‘designed camera movements’ that anticipate the work of a new generation of artists

In an ongoing series, frieze asks artists and filmmakers to list the films that have influenced them

BY Clemens von Wedemeyer |

Since the early 1960s, Peter Watkins has explored film’s potential as a medium of communication and catharsis 

BY Jonty Claypole |

Redmond Entwistle on the making of Walk-Through (2012), a film about Michael Asher’s ‘Post-Studio’ class at CalArts.

BY Mike Sperlinger |

Melancholy and entropy haunt the French artist’s films and photographs

Bikesploitation and art

BY Dan Fox |

How a monumental ruin is turned into gravel, in the Brazilian artist’s show ‘Dois Reais’ (Two Reals, 2012)

BY Jörg Heiser |

frieze invites artists Joana Hadjithomas and Khalil Joreige to write about the images that have informed their practice

The New York-based artist’s latest video installation, Plymouth Rock

BY Piper Marshall |

Fabio Mauri's Ideology and Nature was re-performed at Venice this year. Here, Barbara Casavecchia examines the artist's enquiry of art and ideology

BY Barbara Casavecchia |

‘You Killed Me First: The Cinema of Transgression’ at the Kunst-Werke in Berlin, is a first-time museum presentation devoted to a group of New York underground filmmakers of the 1980s. To this end the institution has painstakingly converted its exhibition spaces into a kind of über-gritty dungeon, vying, it seems, to deliver as authentic a backdrop as curatorially feasible to present 18 films for a strictly 18+ audience. The theme park-like recreation of the once sketchy, run-down Lower East Side featured touching details like professionally executed out-of-control smudges of black paint covering all windows, minutely stopped short from spilling over to the walls.
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BY Daniel Horn |

The hybrid genre of the film novelization

BY George Pendle |

In an ongoing series, frieze asks artists and filmmakers to list the movies that have influenced their practice

BY Lis Rhodes |