For 35 years, Ericka Beckman has been making films which combine choreographed set pieces and ‘designed camera movements’ that anticipate the work of a new generation of artists
‘You Killed Me First: The Cinema of Transgression’ at the Kunst-Werke in Berlin, is a first-time museum presentation devoted to a group of New York underground filmmakers of the 1980s. To this end the institution has painstakingly converted its exhibition spaces into a kind of über-gritty dungeon, vying, it seems, to deliver as authentic a backdrop as curatorially feasible to present 18 films for a strictly 18+ audience. The theme park-like recreation of the once sketchy, run-down Lower East Side featured touching details like professionally executed out-of-control smudges of black paint covering all windows, minutely stopped short from spilling over to the walls.
{media-1}