Film

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The filmmaker Romuald Karmakar is redefining his oeuvre – and cinema itself – on YouTube

BY Bert Rebhandl |

Community organizing and AIDS activism; ‘Full Body Quotation’ and party hosting

BY Sam Thorne |

Marie Darrieussecq responds to the filmic meditations of João Maria Gusmão and Pedro Paiva

BY Marie Darrieussecq |

Documentary films and sci-fi encounters; assumption, truth and magic

The best movies and artists’ films of 2011

BY Thomas Beard AND Emilie Bickerton |

The land and the sea; the mapping of clandestine journeys; the intertwining of personal stories and politics

BY Kaelen Wilson-Goldie |

A digital approach to sculpture and installation; physical comedy and the very recent past

BY Jörg Heiser |

In recent years, artists in the UK have increasingly turned to narrative cinema and mainstream TV, a shift that has coincided with a renewed interest in the video and new-media practices of the 1970s and ’80s. How does this relate to issues of funding, ideology, duration and display? A round-table discussion with artists Ed Atkins, Melanie Gilligan, Anja Kirschner and Ben Rivers

BY Dan Kidner |

Slippages and the peculiarities of language; its problems and potential

BY Nick Aikens |

San Francisco Museum of Modern Art

BY Eugenia Bell |

Ryan Trecartin’s immersive video environments are amplified reflections of the joy, madness and ambiguity of our culture

BY Chris Wiley |

The past weeks have seen the unexpected force of Hurricane Irene wreak havoc along its path, leaving us meteorologically bewildered and with a newfound existential barometer.

BY Anne Colvin |

What have you been watching? 26 artists and writers respond to the last two decades

Sigmund Freud goes to the movies

BY John Menick |

In an ongoing series, frieze asks artists and filmmakers to list movies that have influenced their practice

BY Mark Aerial Waller |

The installations, collages and films of Andro Wekua construct a filmic dream-space of violent fantasies and sexual perversion

BY Eva Díaz |

Dealing with the lapses between narrative content and medium, Rosa Barba’s film and sculptural work is a meditation on memory and vision

BY Kirsty Bell |

Marian Goodman Gallery

BY Naomi Fry |

David Zwirner Gallery & Salomon Contemporary

BY Chris Wiley |

The best motion pictures and moving images of 2010

BY Katie Kitamura |