Focus

A digital approach to sculpture and installation; physical comedy and the very recent past

Politics and anthropometry: measuring history through yourself

Slippages and the peculiarities of language; its problems and potential

Public performance and invisibility; social alienation and the artist’s role

Deconstructed canvases and layers of reference

Museological display, truth, fiction and ‘Lucy in the Sky with Diamonds’

Facts and false memories; nostalgia and ciphers of experience

High definition videos and B-movie soundtracks; technical effects and cadavers

Reconstruction, propaganda and entertainment; politics, trials and fencing

Historical, social and political questions: ‘how did we get here?’

Water bottles, pills and emergency blankets

Machines, magic and music; perception, the body and beyond

Rules, strategies and conventions; role-play, photographs and cupboards

Fetish objects, totems and mementos; historical signs and the paranormal

Portraits, abstraction and missing pieces; hobbits, systems and Syd Barrett

The artist used low-resolution images in installations and curated film programmes

Drawings and anachronisms; books, prototype designs and romanticism

Camcorders, convents, collectivism and confession

Music, tradition and Islam; organized noise, film and instability

Memory, fantasy and fiction; erotic novels, subversive histories and the cello