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Frieze New York 2018 Curator Picks

Kapwani Kiwanga, Flowers for Africa: Tunisia, 2015, protocol of assembly and display to guide the reconstruction of a floral arrangement consisting of cut flowers, dimensions variable. Courtesy: the artist and Galerie Jérôme Poggi, Paris. Collection of th

Hallie Ringle of the Studio Museum looks forward to the debut Frieze Artist Award at Frieze New York 2018

By Hallie Ringle
Jaune Quick-to-See Smith, I See Red: Indian Hand, 1992. Mixed media on canvas, 183 x 183 cm. Courtesy: the artist and Garth Greenan Gallery, New York

Rocío Aranda-Alvarado anticipates an insightful grouping of American painters at Frieze New York 2018

By Rocío Aranda-Alvarado
Zoe Leonard, Untitled, 1989/2008, gelatin silver print, 47 × 33 cm. Courtesy: the artist and Galleria Raffaella Cortese, Milan

Works by Martha Wilson and Zoe Leonard at Frieze New York 2018 excite the Guggenheim’s Nancy Spector

By Nancy Spector
Kemang Wa Lehulere, Matric 2015, 2018. Salvaged school desks (wood), piano hammers, shoelaces, glass bottles, sand, paper, ribbon. Dimensions variable. Courtesy: the artist and Stevenson, Cape Town

Creative Time’s Elvira Dyangani Ose looks forward to the work of Kemang Wa Lehulere at Frieze New York

By Elvira Dyangani Ose
Rosemary Laing, Rose of Australia, 2017. Archival pigment print, 100 x 200 cm. Courtesy: Galerie Lelong & Co., New York © Rosemary Laing

Brooklyn Museum’s Catherine Morris discusses two galleries’ approaches to social issues at Frieze New York

By Catherine Morris