Frieze Week Magazine New York 2024

Surface and the unsaid in Carl Van Vechten’s 1955 portrait of the trailblazing dancer and choreographer

Founding director and curator Dodie Kazanjian talks about her initiative, launched in 2006, to bring contemporary art to the Metropolitan Opera

Performance Space’s director Pati Hertling and artistic director Taja Cheek explain how the venue is getting bigger by getting smaller

The initiative has enlisted artists including Derrick Adams, Wangechi Mutu, Calida Rawles, Laurie Simmons and Hank Willis Thomas to get its message across

Though it left the Lower East Side half a century ago, the Bread and Puppet Theater’s participatory anti-war morality plays continue a New York history of performance and protest

Cassie Packard explores the changing status of live art in the white cube

The choreographer’s centenary season features a focus on her many collaborations with the iconic Japanese-American polymath 

Frieze Week New York 2024 offers a rare chance to see Ellen Fullman’s epic room-filling musical installation in action

Newly joined from the Boston Ballet, CEO Max Hodges shares what’s to come at the institution: from site-specific spectacles to a new staging of King Lear

Die No Die is a new work co-commissioned by Frieze and the High Line in which Matty Davis explores the huge geological forces that compress our selves. Photography by Christian Werner

Unmissable shows in New York this May include “The Harlem Renaissance and Transatlantic Modernism,” The Whitney Biennial, and surveys of Marian Zazeela, Terry Fox and Joan Jonas