From Kinga Bartis’s quietly captivating paintings to Madeleine Andersson’s nauseating footage of human brains, this year’s participants in Bergen select their favourite recent exhibitions
At Gallery 1957, London, the Ghanaian artist explores Stuart Hall's theory that cultural identity 'belongs as much to the future as it does to the past'
At Gallery 1957, Accra, the artist’s use of both Ghanaian Kente and Malian textile traditions ‘offers new possibilities for the exchange of cultural knowledge’