Advertisement

Gary Zhexi Zhang

The highest-grossing film of 2019 pits a Chinese-led international coalition against the forces of cosmic destruction

By Gary Zhexi Zhang

Materialism, metaphysics and mysticism collide in the Shanghai-based artist’s maximalist installations

By Gary Zhexi Zhang

As startups looks towards increasingly abstract schemes, where is the art that answers to today’s deeply networked structures?

By Gary Zhexi Zhang

With our increasingly porous objects, ubiquitous networks and ambivalent organisms, why artists are drawing inspiration from extra-human agencies

By Gary Zhexi Zhang

Imagining the dawn of the 'Chinese century'

By Gary Zhexi Zhang

How postinternet aesthetics are thriving behind the Great Firewall

By Gary Zhexi Zhang
‘Bagism’, 2016, installation view K11 Art Space, Shanghai. Courtesy: © chi K11 art museum, Shanghai, 2016

The highlights of the city’s summer shows 

By Gary Zhexi Zhang

Cass Sculpture Foundation, Goodwood, UK

By Gary Zhexi Zhang
Sticky Drama (with Oneohtrix Point Never), 2015, production still. All images courtesy the artist, Zac Feuer/Mesler, New York, Seventeen, London, Zabludowicz Collection, London, and Future Gallery, Berlin

The online anthropology of Jon Rafman

By Gary Zhexi Zhang